Richard Flanagan Quote
To have been part of a Pharaonic slave system that had at its apex a divine sun king led him to understand unreality as the greatest force in life. And his life was now, he felt, one monumental unreality, in which everything that did not matter—professional ambitions, the private pursuit of status, the colour of wallpaper, the size of an office or the matter of a dedicated car parking space—was vested with the greatest significance, and everything that did matter—pleasure, joy, friendship, love—was deemed somehow peripheral. It made for dullness mostly and weirdness generally.
Richard Flanagan
To have been part of a Pharaonic slave system that had at its apex a divine sun king led him to understand unreality as the greatest force in life. And his life was now, he felt, one monumental unreality, in which everything that did not matter—professional ambitions, the private pursuit of status, the colour of wallpaper, the size of an office or the matter of a dedicated car parking space—was vested with the greatest significance, and everything that did matter—pleasure, joy, friendship, love—was deemed somehow peripheral. It made for dullness mostly and weirdness generally.
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About Richard Flanagan
Richard Miller Flanagan (born 1961) is an Australian writer, who won the 2014 Man Booker Prize for his novel The Narrow Road to the Deep North and the 2024 Baillie Gifford Prize for Question 7, making him the first writer in history to win both Britain's major fiction and non-fiction prizes.
Flanagan was described by the Washington Post as "one of our greatest living novelists".
"[C]onsidered by many to be the finest Australian novelist of his generation", according to The Economist, the New York Review of Books described Flanagan as "among the most versatile writers in the English language".
He has also worked as a film director and screenwriter.
Flanagan was described by the Washington Post as "one of our greatest living novelists".
"[C]onsidered by many to be the finest Australian novelist of his generation", according to The Economist, the New York Review of Books described Flanagan as "among the most versatile writers in the English language".
He has also worked as a film director and screenwriter.