Rebecca Solnit Quote

Reading these stories, it's tempting to think thatthe arts to be learned are those of tracking, hunting,navigating, skills of survival and escape. Even in theeveryday world of the present, an anxiety to survivemanifests itself in cars and clothes for far more ruggedoccasions than those at hand, as though to express somesense of the toughness of things and of readiness to facethem. But the real difficulties, the real arts of survival,seem to lie in more subtle realms. There, what's calledfor is a kind of resilience of the psyche, a readiness todeal with what comes next. These captives lay out in astark and dramatic way what goes on in every life: thetransitions whereby you cease to be who you were. Seldomis it as dramatic, but nevertheless, something ofthis journey between the near and the far goes on inevery life. Sometimes an old photograph, an old friend,an old letter will remind you that you are not who youonce were, for the person who dwelt among them, valuedthis, chose that, wrote thus, no longer exists. Withoutnoticing it you have traversed a great distance; thestrange has become familiar and the familiar if notstrange at least awkward or uncomfortable, an outgrowngarment. And some people travel far more thanothers. There are those who receive as birthright an adequateor at least unquestioned sense of self and thosewho set out to reinvent themselves, for survival or forsatisfaction, and travel far. Some people inherit valuesand practices as a house they inhabit; some of us have toburn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.

Rebecca Solnit

Reading these stories, it's tempting to think thatthe arts to be learned are those of tracking, hunting,navigating, skills of survival and escape. Even in theeveryday world of the present, an anxiety to survivemanifests itself in cars and clothes for far more ruggedoccasions than those at hand, as though to express somesense of the toughness of things and of readiness to facethem. But the real difficulties, the real arts of survival,seem to lie in more subtle realms. There, what's calledfor is a kind of resilience of the psyche, a readiness todeal with what comes next. These captives lay out in astark and dramatic way what goes on in every life: thetransitions whereby you cease to be who you were. Seldomis it as dramatic, but nevertheless, something ofthis journey between the near and the far goes on inevery life. Sometimes an old photograph, an old friend,an old letter will remind you that you are not who youonce were, for the person who dwelt among them, valuedthis, chose that, wrote thus, no longer exists. Withoutnoticing it you have traversed a great distance; thestrange has become familiar and the familiar if notstrange at least awkward or uncomfortable, an outgrowngarment. And some people travel far more thanothers. There are those who receive as birthright an adequateor at least unquestioned sense of self and thosewho set out to reinvent themselves, for survival or forsatisfaction, and travel far. Some people inherit valuesand practices as a house they inhabit; some of us have toburn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.

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About Rebecca Solnit

Rebecca Solnit (born 1961) is an American writer and activist. She has written on a variety of subjects, including feminism, the environment, politics, place, and art.
Solnit is the author of seventeen books, including River of Shadows, which won the 2004 National Book Critics Circle Award in Criticism; A Paradise Built in Hell, from 2009, which charts community responses to disaster; The Faraway Nearby, a wide-ranging memoir published in 2013; and Men Explain Things to Me, a collection of essays on feminism and women's writing first published in 2014.