Raymond Carver Quote

I hate tricks. At the first sign of a trick or gimmick in a piece of fiction, a cheap trick or even an elaborate trick, I tend to look for cover. Tricks are ultimately boring, and I get bored easily, which may go along with my not having much of an attention span. But extremely clever chi-chi writing, or just plain tomfoolery writing, puts me to sleep. Writers don't need tricks or gimmicks or even necessarily need to be the smartest fellows on the block. At the risk of appearing foolish, a writer sometimes needs to be able to just stand and gape at this or that thing- a sunset or an old shoe- in absolute and simple amazement.

Raymond Carver

I hate tricks. At the first sign of a trick or gimmick in a piece of fiction, a cheap trick or even an elaborate trick, I tend to look for cover. Tricks are ultimately boring, and I get bored easily, which may go along with my not having much of an attention span. But extremely clever chi-chi writing, or just plain tomfoolery writing, puts me to sleep. Writers don't need tricks or gimmicks or even necessarily need to be the smartest fellows on the block. At the risk of appearing foolish, a writer sometimes needs to be able to just stand and gape at this or that thing- a sunset or an old shoe- in absolute and simple amazement.

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About Raymond Carver

Raymond Clevie Carver Jr. (May 25, 1938 – August 2, 1988) was an American short story writer and poet. He published his first collection of stories, Will You Please Be Quiet, Please?, in 1976. His breakout collection, What We Talk About When We Talk About Love (1981), received immediate acclaim and established Carver as an important figure in the literary world. It was followed by Cathedral (1983), which Carver considered his watershed and is widely regarded as his masterpiece. The definitive collection of his stories, Where I'm Calling From, was published shortly before his death in 1988. In their 1989 nomination of Carver for the Pulitzer Prize for Fiction, the jury concluded, "The revival in recent years of the short story is attributable in great measure to Carver's mastery of the form."