Peter Pomerantsev Quote

I encounter forms of this attitude every day. The producers who work at the Ostankino channels might all be liberals in their private lives, holiday in Tuscany, and be completely European in their tastes. When I ask how they marry their professional and personal lives, they look at me as if I were a fool and answer: Over the last twenty years we’ve lived through a communism we never believed in, democracy and defaults and mafia state and oligarchy, and we’ve realized they are illusions, that everything is PR. Everything is PR has become the favorite phrase of the new Russia; my Moscow peers are filled with a sense that they are both cynical and enlightened. When I ask them about Soviet-era dissidents, like my parents, who fought against communism, they dismiss them as naïve dreamers and my own Western attachment to such vague notions as human rights and freedom as a blunder. Can’t you see your own governments are just as bad as ours? they ask me. I try to protest—but they just smile and pity me. To believe in something and stand by it in this world is derided, the ability to be a shape-shifter celebrated. Vladimir Nabokov once described a species of butterfly that at an early stage in its development had to learn how to change colors to hide from predators. The butterfly’s predators had long died off, but still it changed its colors from the sheer pleasure of transformation. Something similar has happened to the Russian elites: during the Soviet period they learned to dissimulate in order to survive; now there is no need to constantly change their colors, but they continue to do so out of a sort of dark joy, conformism raised to the level of aesthetic act.Surkov himself is the ultimate expression of this psychology. As I watch him give his speech to the students and journalists, he seems to change and transform like mercury, from cherubic smile to demonic stare, from a woolly liberal preaching modernization to a finger-wagging nationalist, spitting out willfully contradictory ideas: managed democracy, conservative modernization. Then he steps back, smiling, and says: We need a new political party, and we should help it happen, no need to wait and make it form by itself. And when you look closely at the party men in the political reality show Surkov directs, the spitting nationalists and beetroot-faced communists, you notice how they all seem to perform their roles with a little ironic twinkle.

Peter Pomerantsev

I encounter forms of this attitude every day. The producers who work at the Ostankino channels might all be liberals in their private lives, holiday in Tuscany, and be completely European in their tastes. When I ask how they marry their professional and personal lives, they look at me as if I were a fool and answer: Over the last twenty years we’ve lived through a communism we never believed in, democracy and defaults and mafia state and oligarchy, and we’ve realized they are illusions, that everything is PR. Everything is PR has become the favorite phrase of the new Russia; my Moscow peers are filled with a sense that they are both cynical and enlightened. When I ask them about Soviet-era dissidents, like my parents, who fought against communism, they dismiss them as naïve dreamers and my own Western attachment to such vague notions as human rights and freedom as a blunder. Can’t you see your own governments are just as bad as ours? they ask me. I try to protest—but they just smile and pity me. To believe in something and stand by it in this world is derided, the ability to be a shape-shifter celebrated. Vladimir Nabokov once described a species of butterfly that at an early stage in its development had to learn how to change colors to hide from predators. The butterfly’s predators had long died off, but still it changed its colors from the sheer pleasure of transformation. Something similar has happened to the Russian elites: during the Soviet period they learned to dissimulate in order to survive; now there is no need to constantly change their colors, but they continue to do so out of a sort of dark joy, conformism raised to the level of aesthetic act.Surkov himself is the ultimate expression of this psychology. As I watch him give his speech to the students and journalists, he seems to change and transform like mercury, from cherubic smile to demonic stare, from a woolly liberal preaching modernization to a finger-wagging nationalist, spitting out willfully contradictory ideas: managed democracy, conservative modernization. Then he steps back, smiling, and says: We need a new political party, and we should help it happen, no need to wait and make it form by itself. And when you look closely at the party men in the political reality show Surkov directs, the spitting nationalists and beetroot-faced communists, you notice how they all seem to perform their roles with a little ironic twinkle.

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About Peter Pomerantsev

Peter Pomerantsev (Russian: Питер Померанцев; born Pyotr Igorevich Pomerantsev, Пётр Игоревич Померанцев; born 1977) is a Ukrainian-born British journalist, author and TV producer. He is a Senior Fellow at the Institute of Global Affairs at the London School of Economics, where he co-directs the Arena program. He is also an associate editor at Coda Media, a position he has held since at least 2015. Pomerantsev has written two books about Russian disinformation and propaganda—Nothing Is True and Everything Is Possible (2014) and This Is Not Propaganda (2019)—and a third, How to Win an Information War: The Propagandist Who Outwitted Hitler (2024), on Sefton Delmer, a British propagandist during World War II.