Oliver Sacks Quote
The tritone - an augmented fourth (or, in hazz parlance, a flatted fifth) - is a difficult interval to sing and has often been regarded as having an ugly, uncanny, or even diabolical quality. Its use was forbidden in early ecclesiastical music, and early theorists called it diabolus in musica (the devil in music). But Tartini used it, for this very reason, in his Devil's Trill Sonata for violin.Though the raw tritone sounds so harsh, it is easily filled out with another tritone to form a diminished seventh. And this, the Oxford Companion to Music notes, has a luscious effect... The chord is indeed the most Protean in all harmony. In England the nickname has been given it of 'The Clapham Junction of Harmony' - from a railway station in London where so many lines join that once arrived there one can take a train for almost anywhere else.
The tritone - an augmented fourth (or, in hazz parlance, a flatted fifth) - is a difficult interval to sing and has often been regarded as having an ugly, uncanny, or even diabolical quality. Its use was forbidden in early ecclesiastical music, and early theorists called it diabolus in musica (the devil in music). But Tartini used it, for this very reason, in his Devil's Trill Sonata for violin.Though the raw tritone sounds so harsh, it is easily filled out with another tritone to form a diminished seventh. And this, the Oxford Companion to Music notes, has a luscious effect... The chord is indeed the most Protean in all harmony. In England the nickname has been given it of 'The Clapham Junction of Harmony' - from a railway station in London where so many lines join that once arrived there one can take a train for almost anywhere else.
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About Oliver Sacks
His numerous other best-selling books were mostly collections of case studies of people, including himself, with neurological disorders. He also published hundreds of articles (both peer-reviewed scientific articles and articles for a general audience), about neurological disorders, history of science, natural history, and nature. The New York Times called him a "poet laureate of contemporary medicine", and "one of the great clinical writers of the 20th century". Some of his books were adapted for plays by major playwrights, feature films, animated short films, opera, dance, fine art, and musical works in the classical genre. His book The Man Who Mistook His Wife for a Hat, which describes the case histories of some of his patients, became the basis of an opera of the same name.