Nikolai Gogol Quote
The fair-haired man was one of those people in whose character there is at first sight a certain obstinacy. Before you can open your mouth, they are already prepared to argue and, it seems, will never agree to anything that is clearly contrary to their way of thinking, will never call a stupid thing smart, and in particular will never dance to another man's tune; but it always ends up that there is a certain softness in their character, that they will agree precisely to what they had rejected, will call a stupid thing smart, and will then go off dancing their best to another man's tune - in short, starts out well, ends in hell.
Nikolai Gogol
The fair-haired man was one of those people in whose character there is at first sight a certain obstinacy. Before you can open your mouth, they are already prepared to argue and, it seems, will never agree to anything that is clearly contrary to their way of thinking, will never call a stupid thing smart, and in particular will never dance to another man's tune; but it always ends up that there is a certain softness in their character, that they will agree precisely to what they had rejected, will call a stupid thing smart, and will then go off dancing their best to another man's tune - in short, starts out well, ends in hell.
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About Nikolai Gogol
Gogol used the grotesque in his writings, for example in his works "The Nose", "Viy", "The Overcoat", and "Nevsky Prospekt". These stories, and others such as "Diary of a Madman", have also been noted for their proto-surrealist qualities. According to Viktor Shklovsky, Gogol used the technique of defamiliarization, whereby a writer presents common things in an unfamiliar or strange way so that the reader can gain new perspectives and see the world differently. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in contemporary Russia (The Government Inspector, Dead Souls), although Gogol also enjoyed the patronage of Tsar Nicholas I, who liked his work. The novel Taras Bulba (1835), the play Marriage (1842), and the short stories "The Tale of How Ivan Ivanovich Quarreled with Ivan Nikiforovich", "The Portrait", and "The Carriage" are also among his best-known works.
Many writers and critics have recognized Gogol's deep influence on Russian, Ukrainian and world literature. Gogol's influence was acknowledged by Fyodor Dostoevsky, Mikhail Saltykov-Shchedrin, Ryūnosuke Akutagawa, Franz Kafka, Mikhail Bulgakov, Vladimir Nabokov, Flannery O'Connor and others. Eugène-Melchior de Vogüé said: "We all came out from under Gogol's Overcoat."