Naguib Mahfouz Quote

Kamal was distressed and angry, not merely at the insult to the honor of teachers but first and foremost for the sake of learning itself, for what he felt was true learning. He did not think well of occupations that shook the earth. He had often found that the writers who inspired him applied derogatory epithets to them, referring, for example, to their counterfeit grandeur and ephemeral glory. Basing his opinion on what they had said, he believed that the only true greatness lay in the life of learning and truth. Thus all manifestations of majesty and pomp seemed spurious and trivial to him.

Naguib Mahfouz

Kamal was distressed and angry, not merely at the insult to the honor of teachers but first and foremost for the sake of learning itself, for what he felt was true learning. He did not think well of occupations that shook the earth. He had often found that the writers who inspired him applied derogatory epithets to them, referring, for example, to their counterfeit grandeur and ephemeral glory. Basing his opinion on what they had said, he believed that the only true greatness lay in the life of learning and truth. Thus all manifestations of majesty and pomp seemed spurious and trivial to him.

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About Naguib Mahfouz

Naguib Mahfouz Abdelaziz Ibrahim Ahmed Al-Basha (Arabic: نجيب محفوظ عبد العزيز ابراهيم احمد الباشا, IPA: [næˈɡiːb mɑħˈfuːzˤ]; 11 December 1911 – 30 August 2006) was an Egyptian writer who won the 1988 Nobel Prize in Literature. In awarding the prize, the Swedish Academy described him as a writer "who, through works rich in nuance – now clear-sightedly realistic, now evocatively ambiguous – has formed an Arabian narrative art that applies to all mankind". Mahfouz is regarded as one of the first contemporary writers in Arabic literature, along with Taha Hussein, to explore themes of existentialism. He is the only Egyptian to win the Nobel Prize in Literature. He published 35 novels, over 350 short stories, 26 screenplays, hundreds of op-ed columns for Egyptian newspapers, and seven plays over a 70-year career, from the 1930s until 2004. All of his novels are set in Egypt, and always mention the concept of "the lane" as a microcosm of the world. His most famous works include The Cairo Trilogy and Children of Gebelawi. Many of Mahfouz's works have been adapted into Egyptian and international films; Making him one of the most widely adapted Arab authors. While Mahfouz's literature is classified as realist literature, existential themes appear in it.