Michael Crichton Quote

That’s the greatest single scientific discovery of the twentieth century. You can’t study anything without changing it. Since Galileo, scientists had adopted the view that they were objective observers of the natural world. That was implicit in every aspect of their behavior, even the way they wrote scientific papers, saying things like It was observed … As if nobody had observed it. For three hundred years, that impersonal quality was the hallmark of science. Science was objective, and the observer had no influence on the results he or she described. This objectivity made science different from the humanities, or from religion—fields where the observer’s point of view was integral, where the observer was inextricably mixed up in the results observed. But in the twentieth century, that difference had vanished. Scientific objectivity was gone, even at the most fundamental levels. Physicists now knew you couldn’t even measure a single subatomic particle without affecting it totally. If you stuck your instruments in to measure a particle’s position, you changed its velocity. If you measured its velocity, you changed its position. That basic truth became the Heisenberg uncertainty principle: that whatever you studied you also changed. In the end, it became clear that all scientists were participants in a participatory universe which did not allow anyone to be a mere observer.

Michael Crichton

That’s the greatest single scientific discovery of the twentieth century. You can’t study anything without changing it. Since Galileo, scientists had adopted the view that they were objective observers of the natural world. That was implicit in every aspect of their behavior, even the way they wrote scientific papers, saying things like It was observed … As if nobody had observed it. For three hundred years, that impersonal quality was the hallmark of science. Science was objective, and the observer had no influence on the results he or she described. This objectivity made science different from the humanities, or from religion—fields where the observer’s point of view was integral, where the observer was inextricably mixed up in the results observed. But in the twentieth century, that difference had vanished. Scientific objectivity was gone, even at the most fundamental levels. Physicists now knew you couldn’t even measure a single subatomic particle without affecting it totally. If you stuck your instruments in to measure a particle’s position, you changed its velocity. If you measured its velocity, you changed its position. That basic truth became the Heisenberg uncertainty principle: that whatever you studied you also changed. In the end, it became clear that all scientists were participants in a participatory universe which did not allow anyone to be a mere observer.

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About Michael Crichton

John Michael Crichton (; October 23, 1942 – November 4, 2008) was an American author, screenwriter and filmmaker. His books have sold over 200 million copies worldwide, and over a dozen have been adapted into films. His literary works heavily feature technology and are usually within the science fiction, techno-thriller, and medical fiction genres. Crichton’s novels often explore human technological advancement and attempted dominance over nature, both with frequently catastrophic results; many of his works are cautionary tales, especially regarding themes of biotechnology. Several of his stories center specifically around themes of genetic modification, hybridization, paleontology and/or zoology. Many feature medical or scientific underpinnings, reflective of his own medical training and scientific background.
Crichton received an M.D. from Harvard Medical School in 1969 but did not practice medicine, choosing to focus on his writing instead. Initially writing under a pseudonym, he eventually wrote 26 novels, including: The Andromeda Strain (1969), The Terminal Man (1972), The Great Train Robbery (1975), Congo (1980), Sphere (1987), Jurassic Park (1990), Rising Sun (1992), Disclosure (1994), The Lost World (1995), Airframe (1996), Timeline (1999), Prey (2002), State of Fear (2004), and Next (2006). Several novels, in various states of completion, were published after his death in 2008.
Crichton was also involved in the film and television industry. In 1973, he wrote and directed Westworld, the first film to use 2D computer-generated imagery. He also directed Coma (1978), The First Great Train Robbery (1978), Looker (1981), and Runaway (1984). He was the creator of the television series ER (1994–2009), and several of his novels were adapted into films, most notably the Jurassic Park franchise.