Michael Crichton Quote

He thought again about the poison. He remembered that one of the animal handlers had been bitten by a compy in a cage. The handler had said the poison was like a narcotic—peaceful, dreamy. No pain. You just wanted to go to sleep. The hell with that, he thought. Hammond picked up a rock, aimed carefully, and threw it, striking one compy flat in the chest. The little animal shrieked in alarm as it was knocked backward, and rolled over its tail. The other animals immediately backed away. Better. Hammond turned away, and started to climb the hill once more. Holding branches in both hands, he hopped on his left leg, feeling the ache in his thigh. He had not gone more than ten feet when one of the compys jumped onto his back. He flung his arms wildly, knocking the animal away, but lost his balance and slid back down the hillside. As he came to a stop, a second compy sprang forward, and took a tiny nip from his hand. He looked with horror, seeing the blood flow over his fingers. He turned and began to scramble up the hillside again. Another compy jumped onto his shoulder, and he felt a brief pain as it bit the back of his neck. He shrieked and smacked the animal away. He turned to face the animals, breathing hard, and they stood all around him, hopping up and down and cocking their heads, watching him. From the bite on his neck, he felt warmth flow through his shoulders, down his spine. Lying on his back on the hillside, he began to feel strangely relaxed, detached from himself. But he realized that nothing was wrong. No error had been made. Malcolm was quite incorrect in his analysis. Hammond lay very still, as still as a child in its crib, and he felt wonderfully peaceful. When the next compy came up and bit his ankle, he made only a halfhearted effort to kick it away. The little animals edged closer. Soon they were chittering all around him, like excited birds. He raised his head as another compy jumped onto his chest, the animal surprisingly light and delicate. Hammond felt only a slight pain, very slight, as the compy bent to chew his neck.

Michael Crichton

He thought again about the poison. He remembered that one of the animal handlers had been bitten by a compy in a cage. The handler had said the poison was like a narcotic—peaceful, dreamy. No pain. You just wanted to go to sleep. The hell with that, he thought. Hammond picked up a rock, aimed carefully, and threw it, striking one compy flat in the chest. The little animal shrieked in alarm as it was knocked backward, and rolled over its tail. The other animals immediately backed away. Better. Hammond turned away, and started to climb the hill once more. Holding branches in both hands, he hopped on his left leg, feeling the ache in his thigh. He had not gone more than ten feet when one of the compys jumped onto his back. He flung his arms wildly, knocking the animal away, but lost his balance and slid back down the hillside. As he came to a stop, a second compy sprang forward, and took a tiny nip from his hand. He looked with horror, seeing the blood flow over his fingers. He turned and began to scramble up the hillside again. Another compy jumped onto his shoulder, and he felt a brief pain as it bit the back of his neck. He shrieked and smacked the animal away. He turned to face the animals, breathing hard, and they stood all around him, hopping up and down and cocking their heads, watching him. From the bite on his neck, he felt warmth flow through his shoulders, down his spine. Lying on his back on the hillside, he began to feel strangely relaxed, detached from himself. But he realized that nothing was wrong. No error had been made. Malcolm was quite incorrect in his analysis. Hammond lay very still, as still as a child in its crib, and he felt wonderfully peaceful. When the next compy came up and bit his ankle, he made only a halfhearted effort to kick it away. The little animals edged closer. Soon they were chittering all around him, like excited birds. He raised his head as another compy jumped onto his chest, the animal surprisingly light and delicate. Hammond felt only a slight pain, very slight, as the compy bent to chew his neck.

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About Michael Crichton

John Michael Crichton (; October 23, 1942 – November 4, 2008) was an American author, screenwriter and filmmaker. His books have sold over 200 million copies worldwide, and over a dozen have been adapted into films. His literary works heavily feature technology and are usually within the science fiction, techno-thriller, and medical fiction genres. Crichton's novels often explore human technological advancement and attempted dominance over nature, both with frequently catastrophic results; many of his works are cautionary tales, especially regarding themes of biotechnology. Several of his stories center on themes of genetic modification, hybridization, paleontology and/or zoology. Many feature medical or scientific underpinnings, reflective of his own medical training.
Crichton received an MD from Harvard Medical School in 1969 but did not practice medicine, choosing to focus on his writing instead. Initially writing under a pseudonym, he eventually published 25 novels in his lifetime, including: The Andromeda Strain (1969), The Terminal Man (1972), The Great Train Robbery (1975), Congo (1980), Sphere (1987), Jurassic Park (1990), Rising Sun (1992), Disclosure (1994), The Lost World (1995), Airframe (1996), Timeline (1999), Prey (2002), State of Fear (2004), and Next (2006). Four more novels, in various states of completion, were published after his death in 2008.
Crichton was also involved in the film and television industry. In 1973, he wrote and directed Westworld, the first film to use 2D computer-generated imagery. He also directed Coma (1978), The First Great Train Robbery (1978), Looker (1981), and Runaway (1984). He was the creator of the television series ER (1994–2009), and several of his novels were adapted into films, most notably the Jurassic Park franchise.