Maya Angelou Quote

When Great Trees FallWhen great trees fall,rocks on distant hills shudder,lions hunker downin tall grasses,and even elephantslumber after safety.When great trees fallin forests,small things recoil into silence,their senseseroded beyond fear.When great souls die,the air around us becomeslight, rare, sterile.We breathe, briefly.Our eyes, briefly,see witha hurtful clarity.Our memory, suddenly sharpened,examines,gnaws on kind wordsunsaid,promised walksnever taken.Great souls die andour reality, bound tothem, takes leave of us.Our souls,dependent upon theirnurture,now shrink, wizened.Our minds, formedand informed by theirradiance,fall away.We are not so much maddenedas reduced to the unutterable ignoranceof dark, coldcaves.And when great souls die,after a period peace blooms,slowly and alwaysirregularly. Spaces fillwith a kind ofsoothing electric vibration.Our senses, restored, neverto be the same, whisper to us.They existed. They existed.We can be. Be and bebetter. For they existed.

Maya Angelou

When Great Trees FallWhen great trees fall,rocks on distant hills shudder,lions hunker downin tall grasses,and even elephantslumber after safety.When great trees fallin forests,small things recoil into silence,their senseseroded beyond fear.When great souls die,the air around us becomeslight, rare, sterile.We breathe, briefly.Our eyes, briefly,see witha hurtful clarity.Our memory, suddenly sharpened,examines,gnaws on kind wordsunsaid,promised walksnever taken.Great souls die andour reality, bound tothem, takes leave of us.Our souls,dependent upon theirnurture,now shrink, wizened.Our minds, formedand informed by theirradiance,fall away.We are not so much maddenedas reduced to the unutterable ignoranceof dark, coldcaves.And when great souls die,after a period peace blooms,slowly and alwaysirregularly. Spaces fillwith a kind ofsoothing electric vibration.Our senses, restored, neverto be the same, whisper to us.They existed. They existed.We can be. Be and bebetter. For they existed.

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About Maya Angelou

Maya Angelou ( AN-jə-loh; born Marguerite Annie Johnson; April 4, 1928 – May 28, 2014) was an American memoirist, poet, and civil rights activist. She published seven autobiographies, three books of essays, several books of poetry, and is credited with a list of plays, movies, and television shows spanning over 50 years. She received dozens of awards and more than 50 honorary degrees. Angelou's series of seven autobiographies focus on her childhood and early adult experiences. The first, I Know Why the Caged Bird Sings (1969), tells of her life up to the age of 17 and brought her international recognition and acclaim.
She became a poet and writer after a string of odd jobs during her young adulthood. These included fry cook, sex worker, nightclub performer, Porgy and Bess cast member, Southern Christian Leadership Conference coordinator, and correspondent in Egypt and Ghana during the decolonization of Africa. Angelou was also an actress, writer, director, and producer of plays, movies, and public television programs. In 1982, she was named the first Reynolds Professor of American Studies at Wake Forest University in Winston-Salem, North Carolina. Angelou was active in the Civil Rights Movement and worked with Martin Luther King Jr. and Malcolm X. Beginning in the 1990s, she made approximately 80 appearances a year on the lecture circuit, something she continued into her eighties. In 1993, Angelou recited her poem "On the Pulse of Morning" (1993) at the first inauguration of Bill Clinton, making her the first poet to make an inaugural recitation since Robert Frost at the inauguration of John F. Kennedy in 1961.
With the publication of I Know Why the Caged Bird Sings, Angelou publicly discussed aspects of her personal life. She was respected as a spokesperson for Black people and women, and her works have been considered a defense of Black culture. Her works are widely used in schools and universities worldwide, although attempts have been made to ban her books from some U.S. libraries. Angelou's most celebrated works have been labeled as autobiographical fiction, but many critics consider them to be autobiographies. She made a deliberate attempt to challenge the common structure of the autobiography by critiquing, changing and expanding the genre. Her books center on themes that include racism, identity, family and travel.