Max Beerbohm Quote

She did not look like an orphan, said the wife of the Oriel don, subsequently, on the way home. The criticism was a just one. ... Tall and lissom, she was sheathed from the bosom downwards in flamingo silk, and she was liberally festooned with emeralds. Her dark hair was not even strained back from her forehead and behind her ears, as an orphan's should be. Parted somewhere at the side, it fell in an avalanche of curls upon one eyebrow. From her right ear drooped heavily a black pearl, from her left a pink; and their difference gave an odd, bewildering witchery to the little face between.

Max Beerbohm

She did not look like an orphan, said the wife of the Oriel don, subsequently, on the way home. The criticism was a just one. ... Tall and lissom, she was sheathed from the bosom downwards in flamingo silk, and she was liberally festooned with emeralds. Her dark hair was not even strained back from her forehead and behind her ears, as an orphan's should be. Parted somewhere at the side, it fell in an avalanche of curls upon one eyebrow. From her right ear drooped heavily a black pearl, from her left a pink; and their difference gave an odd, bewildering witchery to the little face between.

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About Max Beerbohm

Sir Henry Maximilian Beerbohm (24 August 1872 – 20 May 1956) was an English essayist, parodist and caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the drama critic for the Saturday Review from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, Zuleika Dobson, published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections.