I manage to hide in my movies.
I've got nothing against L.A. I think it is a really beautiful place. To be able to surf and get out in the Pacific Ocean every once in a while. The hiking, all of that is amazing. I love it there.
That's one of the benefits of working on big budget films. You work with people who have a lot of experience and you get to learn a lot.
You watch a hockey game, and the hand-eye coordination and the speed is really miraculous how those guys track the puck alone, just following it with their eyes.
I was a writer. I just wasn't a very good one. I was lucky enough to have a playwriting teacher who told me that I'd be a better actor than I would a playwright.
You'd think true masculinity was just calm and collected happiness. So alpha male that it needs not or worries not. But typically masculine characters are always fighting, and most violence comes from...
My publicist told me not to talk about politics but, yes, I think we have a president who stole the election.
I get very nervous around famous people and I get nervous around beautiful women.
I really never thought I was that good at film. And honestly still don't. My strength is language. My background is monologues and a certain kind of Brechtian spin on theater.
Film is such a bizarre vehicle for acting. It's such a bizarre experience. I don't think you ever really get familiar with it. If you do get familiar with it, you're probably not that good anymore.
I really don't think there is anybody in the business with better eyes than Elijah Wood.
Part of what I enjoy about the theatre and acting is that sense of history.
You should never ask actors about politics.
The funny thing is that I write and I act a lot about being Jewish, but I don't really think about it as a regular person.
I think it's really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to ke...