Leo Tolstoy Quote
He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.
He got up, wishing to go around, but the aunt handed him the snuffbox right over Helene, behind her back. Helene moved forward so as to make room and, smiling, glanced around. As always at soirees, she was wearing a gown in the fashion of the time, quite open in front and back. Her bust, which had always looked like marble to Pierre, was now such a short distance from him that he could involuntarily make out with his nearsighted eyes the living loveliness of her shoulders and neck, and so close to his lips that he had only to lean forward a little to touch her. He sensed the warmth of her body, the smell of her perfume, and the creaking of her corset as she breathed. He saw not her marble beauty, which made one with her gown, he saw and sensed all the loveliness of her body, which was merely covered by clothes. And once he had seen it, he could not see otherwise, as we cannot return to a once-exposed deception.
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About Leo Tolstoy
Born to an aristocratic family, Tolstoy achieved acclaim in his twenties with his semi-autobiographical trilogy, Childhood, Boyhood and Youth (1852–1856), and with Sevastopol Sketches (1855), based on his experiences in the Crimean War. His War and Peace (1869), Anna Karenina (1878), and Resurrection (1899), which is based on his youthful sins, are often cited as pinnacles of realist fiction and three of the greatest novels ever written. His oeuvre includes short stories such as "Alyosha the Pot" (1911) and "After the Ball" (1911) and novellas such as Family Happiness (1859), The Death of Ivan Ilyich (1886), The Kreutzer Sonata (1889), The Devil (1911), and Hadji Murat (1912). He also wrote plays and essays concerning philosophical, moral and religious themes.
In the 1870s, Tolstoy experienced a profound moral crisis, followed by what he regarded as an equally profound spiritual awakening, as outlined in his non-fiction work Confession (1882). His literal interpretation of the ethical teachings of Jesus, centering on the Sermon on the Mount, caused him to become a fervent Christian anarchist and pacifist. His ideas on nonviolent resistance, expressed in such works as The Kingdom of God Is Within You (1894), had a profound impact on such pivotal 20th-century figures as Mahatma Gandhi, Ludwig Wittgenstein, Martin Luther King Jr., and James Bevel. He also became a dedicated advocate of Georgism, the economic philosophy of Henry George, which he incorporated into his writing, particularly in his novel Resurrection (1899).
Tolstoy received praise from countless authors and critics, both during his lifetime and after. Virginia Woolf called Tolstoy "the greatest of all novelists", and Gary Saul Morson referred to War and Peace as the greatest of all novels. He received nominations for the Nobel Prize in Literature every year from 1902 to 1906 and for the Nobel Peace Prize in 1901, 1902, and 1909. Tolstoy never being awarded a Nobel Prize remains a major Nobel Prize controversy.