Jonathan Coe Quote

None of this made any sense to Benjamin, however hard he tried. Roll-Up Reg was talking another language. But then, he was no more persuaded by the things his parents told him, or the teachers at school. It was the world, the world itself that was beyond his reach, this whole absurdly vast, complex, random, measureless construct, this never-ending ebb and flow of human relations, political relations, cultures, histories . . . How could anyone hope to master such things? It was not like music. Music always made sense. The music he heard that night was lucid, knowable, full of intelligence and humour, wistfulness and energy and hope. He would never understand the world, but he would always love this music.

Jonathan Coe

None of this made any sense to Benjamin, however hard he tried. Roll-Up Reg was talking another language. But then, he was no more persuaded by the things his parents told him, or the teachers at school. It was the world, the world itself that was beyond his reach, this whole absurdly vast, complex, random, measureless construct, this never-ending ebb and flow of human relations, political relations, cultures, histories . . . How could anyone hope to master such things? It was not like music. Music always made sense. The music he heard that night was lucid, knowable, full of intelligence and humour, wistfulness and energy and hope. He would never understand the world, but he would always love this music.

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About Jonathan Coe

Jonathan Coe (; born 19 August 1961) is an English novelist and writer. His work has an underlying preoccupation with political issues, although this serious engagement is often expressed comically in the form of satire. For example, What a Carve Up! (1994) reworks the plot of an old 1960s spoof horror film of the same name. It is set within the "carve up" of the UK's resources that was carried out by Margaret Thatcher's Conservative governments of the 1980s.