Jonathan Coe Quote
Believe there are infinite ways of telling stories – linear and non-linear, multiple viewpoints and single viewpoints, first and third person, and so forth. An infinity of choice faces you whenever embarking upon a new work. However, I no longer believe, as Johnson believed, for instance, that the novel must be radically reinvented as it progresses or otherwise it will die. If you look at the tradition that he felt himself a part of, it’s odd in a way, because Tristram Shandy in particular so explodes all the notions of traditional fictional writing and all the possibilities of experimental writing right at the infancy of the British novel that Johnson’s view that you can build upon that seems wrong.
Jonathan Coe
Believe there are infinite ways of telling stories – linear and non-linear, multiple viewpoints and single viewpoints, first and third person, and so forth. An infinity of choice faces you whenever embarking upon a new work. However, I no longer believe, as Johnson believed, for instance, that the novel must be radically reinvented as it progresses or otherwise it will die. If you look at the tradition that he felt himself a part of, it’s odd in a way, because Tristram Shandy in particular so explodes all the notions of traditional fictional writing and all the possibilities of experimental writing right at the infancy of the British novel that Johnson’s view that you can build upon that seems wrong.
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About Jonathan Coe
Jonathan Coe (; born 19 August 1961) is an English novelist and writer. His work has an underlying preoccupation with political issues, although this serious engagement is often expressed comically in the form of satire. For example, What a Carve Up! (1994) reworks the plot of an old 1960s spoof horror film of the same name. It is set within the "carve up" of the UK's resources that was carried out by Margaret Thatcher's Conservative governments of the 1980s.