John Green Quote
When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications...I like the strings, I always have. Because that's how it . But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know?Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the like can get in. The like can get out.
When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications...I like the strings, I always have. Because that's how it . But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know?Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the like can get in. The like can get out.
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About John Green
Born in Indianapolis, Indiana, Green was raised in Orlando, Florida, before attending boarding school outside of Birmingham, Alabama. He attended Kenyon College, graduating with a double major in English and religious studies in 2000. Green then spent six months as a student chaplain at a children's hospital. He reconsidered his path and began working at Booklist in Chicago while writing his first novel. His debut novel Looking for Alaska (2005) was awarded the 2006 Michael L. Printz Award. While living in New York City, Green published his second novel, An Abundance of Katherines (2006). Starting on January 1, 2007, John and his brother Hank launched the Vlogbrothers YouTube channel, a series of vlogs submitted to one another on alternating weekdays; the videos spawned an active online-based community called Nerdfighteria and an annual telethon-style fundraiser called Project for Awesome, both of which have persisted and grown over time.
John moved back to Indianapolis in 2007, and published three novels over the next three years: Let It Snow: Three Holiday Romances (2008, with Maureen Johnson and Lauren Myracle); his third solo novel, Paper Towns (2008); and Will Grayson, Will Grayson (2010, with David Levithan). From 2010 to 2013, John and Hank launched several online video projects, including VidCon, an annual conference for the online video community, and Crash Course (2011–present), a wide-ranging educational channel. Green's 2012 novel, The Fault in Our Stars, proved to be a massive success. The book created a passionate fan base of readers and remained on The New York Times Best Seller list for children's chapter books for over two years. The 2014 film adaptation was also a commercial and critical success, leading to several other film and television adaptations of his work. That same year, Green was included in Time magazine's list of the 100 most influential people in the world.
Green's subsequent projects, his novel Turtles All the Way Down (2017) and The Anthropocene Reviewed (2018–2021), dealt more directly with his anxiety and obsessive–compulsive disorder. The Anthropocene Reviewed began as a podcast in January 2018, with Green reviewing different facets of the Anthropocene on a five-star scale. The podcast was then adapted into The Anthropocene Reviewed: Essays on a Human-Centered Planet (2021), his first nonfiction book. Since the mid-2010s, John Green has been a prominent advocate for global health causes: he is a trustee for Partners In Health (PIH), supporting their goal of reducing maternal mortality in Sierra Leone, and has worked with PIH, USAID, the Stop TB Partnership, and the government of the Philippines, among others, in fighting tuberculosis worldwide.