Jodi Picoult Quote

You? I start to laugh. Look at you. You're a knock-out. You're smarter than I am. You're on a career track and you're family-centered and you probably even can balance your checkbook.And I'm lonely, Cambell. Jewel adds. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has its own zipcode. Plus, I get certifiably crazy when I've got PSM. You don't love someone because they're perfect, she says. You love them in spite of the fact that they're not.

Jodi Picoult

You? I start to laugh. Look at you. You're a knock-out. You're smarter than I am. You're on a career track and you're family-centered and you probably even can balance your checkbook.And I'm lonely, Cambell. Jewel adds. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has its own zipcode. Plus, I get certifiably crazy when I've got PSM. You don't love someone because they're perfect, she says. You love them in spite of the fact that they're not.

Tags: true love

Related Quotes

About Jodi Picoult

Jodi Lynn Picoult (; born 1966) is an American writer. Picoult has published 28 novels and short stories, and has also written several issues of Wonder Woman. Approximately 40 million copies of her books are in print worldwide and have been translated into 34 languages. In 2003, she was awarded the New England Bookseller Award for fiction.
Picoult writes popular fiction which can be characterised as family saga. She frequently centers storylines on a moral dilemma or a procedural drama which pits family members against one another. She is often characterised as an author of chick-lit. Over her writing career, Picoult has covered a wide range of controversial or moral issues, including abortion, the Holocaust, assisted suicide, race relations, eugenics, LGBT rights, fertility issues, religion, the death penalty, and school shootings. She has been described as "a paradox, a hugely popular, at times controversial writer, ignored by academia, who questions notions of what constitutes literature simply by doing what she does best."