Joan Didion Quote
I liked it all, but most of all I liked the fact that although the play was entirely focused on Quintana there were, five evenings and two afternoons a week, these ninety full minutes, the run time of the play, during which she did not need to be dead.During which the question remained open.During which the denouement had yet to play out.During which the last scene played did not necessarily need to be played in the ICU overlooking the East River.During which the bells would not necessarily sound and the doors would not necessarily be locked at six.During which the last dialogue heard did not necessarily need to concern the vent.Like when someone dies, don't dwell on it.
Joan Didion
I liked it all, but most of all I liked the fact that although the play was entirely focused on Quintana there were, five evenings and two afternoons a week, these ninety full minutes, the run time of the play, during which she did not need to be dead.During which the question remained open.During which the denouement had yet to play out.During which the last scene played did not necessarily need to be played in the ICU overlooking the East River.During which the bells would not necessarily sound and the doors would not necessarily be locked at six.During which the last dialogue heard did not necessarily need to concern the vent.Like when someone dies, don't dwell on it.
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About Joan Didion
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. Didion wrote essays for The Saturday Evening Post, Life, Esquire, The New York Review of Books and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on the subtext of political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest the Central Park Five had been wrongfully convicted. In 2005, Didion won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the death of her husband, writer John Gregory Dunne. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne, in 2017.