J.D. Salinger Quote
When you don't see Jesus for exactly what he was, you miss the whole point of the Jesus Prayer. If you don't understand Jesus, you can't understand his prayer - you don't get the prayer at all, you just get some kind of organized cant. . . . If God had wanted somebody with St. Francis's consistently winning personality for the job of the New Testament, he'd've picked him, you can be sure. As it was, he picked the best, the smartest, the most loving, the least sentimental, the most unimitative master he could possibly have picked. And when you miss seeing that, I swear to you, you're missing the whole point of the Jesus Prayer. The Jesus Prayer has one aim, and one aim only. To endow the person who says it with Christ-Consciousness.
When you don't see Jesus for exactly what he was, you miss the whole point of the Jesus Prayer. If you don't understand Jesus, you can't understand his prayer - you don't get the prayer at all, you just get some kind of organized cant. . . . If God had wanted somebody with St. Francis's consistently winning personality for the job of the New Testament, he'd've picked him, you can be sure. As it was, he picked the best, the smartest, the most loving, the least sentimental, the most unimitative master he could possibly have picked. And when you miss seeing that, I swear to you, you're missing the whole point of the Jesus Prayer. The Jesus Prayer has one aim, and one aim only. To endow the person who says it with Christ-Consciousness.
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About J.D. Salinger
The Catcher in the Rye (1951) was an immediate popular success; Salinger's depiction of adolescent alienation and loss of innocence was influential, especially among adolescent readers. The novel was widely read and controversial, and its success led to public attention and scrutiny. Salinger became reclusive, publishing less frequently. He followed Catcher with a short story collection, Nine Stories (1953); Franny and Zooey (1961), a volume containing a novella and a short story; and a volume containing two novellas, Raise High the Roof Beam, Carpenters and Seymour: An Introduction (1963). Salinger's last published work, the novella Hapworth 16, 1924, appeared in The New Yorker on June 19, 1965.
Afterward, Salinger struggled with unwanted attention, including a legal battle in the 1980s with biographer Ian Hamilton and the release in the late 1990s of memoirs written by two people close to him: his former lover Joyce Maynard and his daughter Margaret Salinger.