Jane Ellen Harrison Quote
And then last, but oh, so utterly first, came George Eliot. It was in the days when her cult was at its height—thank heaven I never left her shrine!—and we used to wait outside Macmillan’s shop to seize the new instalments of Daniel Deronda. She came for a few minutes to my room, and I was almost senseless with excitement. I had just repapered my room with the newest thing in dolorous Morris papers. Some one must have called her attention to it, for I remember thatshe said in her shy, impressive way, Your paper makes a beautiful background for your face. The ecstasy was too much, and I knew no more.
Jane Ellen Harrison
And then last, but oh, so utterly first, came George Eliot. It was in the days when her cult was at its height—thank heaven I never left her shrine!—and we used to wait outside Macmillan’s shop to seize the new instalments of Daniel Deronda. She came for a few minutes to my room, and I was almost senseless with excitement. I had just repapered my room with the newest thing in dolorous Morris papers. Some one must have called her attention to it, for I remember thatshe said in her shy, impressive way, Your paper makes a beautiful background for your face. The ecstasy was too much, and I knew no more.
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About Jane Ellen Harrison
Jane Ellen Harrison (9 September 1850 – 15 April 1928) was a British classical scholar and linguist. With Karl Kerenyi and Walter Burkert, Harrison is one of the founders of modern studies in Ancient Greek religion and mythology. She applied 19th-century archaeological discoveries to the interpretation of ancient Greek religion in ways that have become standard. She has also been credited with being the first woman to obtain a post in England as a 'career academic'. Harrison argued for women's suffrage but thought she would never want to vote herself. Ellen Wordsworth Crofts, later second wife of Sir Francis Darwin, was Jane Harrison's best friend from her student days at Newnham, and during the period from 1898 to Ellen's death in 1903. The depth and influence of Harrison’s friendship with Eugénie Sellers Strong—ended by a dramatic breech in the 1890s—is explored in a monograph by Mary Beard: after their breakup Sellers became an influential authority on the material vulture of imperial, while Harrison’s work dug deeper and deeper into the primitive ritual origins of Greek drama. Though moving in different directions chronologically, in terms of their focus, the women appear otherwise as doppelgängers of one another in their concerns, style and characteristic forms of argument deriving from an approach that became known as classical anthropology. Harrison’s Prolegomena to Greek Religion had a compelling and inspirational impact on the later artworks of T. S. Eliot, Virginia Woolf, and Hilda Doolittle and her scholarly legerdemain was formative to the group of classicists known as the Cambridge ritualists.