James Baldwin Quote
Nothing tamed or broke her, nothing touched her, neither kindness, nor scorn, nor hatred, nor love. She had never thought of prayer. It was unimaginable that she would ever bend her knees and come crawling along a dusty floor to anybody’s altar, weeping for forgiveness. Perhaps her sin was so extreme that it could not be forgiven; perhaps her pride was so great that she did not need forgiveness. She had fallen from that high estate which God had intended for men and women, and she made her fall glorious because it was so complete.
James Baldwin
Nothing tamed or broke her, nothing touched her, neither kindness, nor scorn, nor hatred, nor love. She had never thought of prayer. It was unimaginable that she would ever bend her knees and come crawling along a dusty floor to anybody’s altar, weeping for forgiveness. Perhaps her sin was so extreme that it could not be forgiven; perhaps her pride was so great that she did not need forgiveness. She had fallen from that high estate which God had intended for men and women, and she made her fall glorious because it was so complete.
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About James Baldwin
James Arthur Baldwin (né Jones; August 2, 1924 – December 1, 1987) was an American writer and civil rights activist who garnered acclaim for his essays, novels, plays, and poems. His 1953 novel Go Tell It on the Mountain has been ranked by Time magazine as one of the top 100 English-language novels. His 1955 essay collection Notes of a Native Son helped establish his reputation as a voice for human equality. Baldwin was an influential public figure and orator, especially during the civil rights movement in the United States.
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that influenced both the civil rights movement and the gay liberation movement in mid-twentieth century America. His protagonists are often but not exclusively African-American, and gay and bisexual men feature prominently in his work (as in his 1956 novel Giovanni's Room). His characters typically face internal and external obstacles in their search for self- and social acceptance.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that influenced both the civil rights movement and the gay liberation movement in mid-twentieth century America. His protagonists are often but not exclusively African-American, and gay and bisexual men feature prominently in his work (as in his 1956 novel Giovanni's Room). His characters typically face internal and external obstacles in their search for self- and social acceptance.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.