James Baldwin Quote
Malcolm considered himself to be the spiritual property of the people who produced him. He did not consider himself to be their saviour, he was far too modest for that, and gave that role to another; but he considered himself to be their servant and in order not to betray that trust, he was willing to die, and died. Malcolm was not a racist, not even when he thought he was. His intelligence was more complex than that; furthermore, if he had been a racist, not many in this racist country would have considered him dangerous. He would have sounded familiar and even comforting, his familiar rage confirming the reality of white power and sensuously inflaming a bizarre species of guilty eroticism without which, I am beginning to believe, most white Americans of the more or less liberal persuasion cannot draw a single breath.
Malcolm considered himself to be the spiritual property of the people who produced him. He did not consider himself to be their saviour, he was far too modest for that, and gave that role to another; but he considered himself to be their servant and in order not to betray that trust, he was willing to die, and died. Malcolm was not a racist, not even when he thought he was. His intelligence was more complex than that; furthermore, if he had been a racist, not many in this racist country would have considered him dangerous. He would have sounded familiar and even comforting, his familiar rage confirming the reality of white power and sensuously inflaming a bizarre species of guilty eroticism without which, I am beginning to believe, most white Americans of the more or less liberal persuasion cannot draw a single breath.
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About James Baldwin
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that run parallel with some of the major political movements toward social change in mid-twentieth century America, such as the civil rights movement and the gay liberation movement. Baldwin's protagonists are typically but not exclusively African American, with gay and bisexual men featured prominently in his work. His characters often face internal and external obstacles in their search for self- and social acceptance: dynamics prominent in his 1956 novel Giovanni's Room.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.