James Baldwin Quote

Have you been to the police?’ Richard asked. ‘Yes.’ She made a gesture of disgust and rose and walked to the window. ‘They said it happens all the time – coloured men running off from their families. They said they’d try to find him. But they don’t care. They don’t care what happens – to a black man!’ ‘Oh, well, now,’ cried Richard, his face red, ‘is that fair? I mean, hell, I’m sure they’ll look for him just like they look for any other citizen of this city.’ She looked at him. ‘How would you know? I do know – know what I’m talking about. I say they don’t care – and they don’t care.’ ‘I don’t think you should look at it like that.

James Baldwin

Have you been to the police?’ Richard asked. ‘Yes.’ She made a gesture of disgust and rose and walked to the window. ‘They said it happens all the time – coloured men running off from their families. They said they’d try to find him. But they don’t care. They don’t care what happens – to a black man!’ ‘Oh, well, now,’ cried Richard, his face red, ‘is that fair? I mean, hell, I’m sure they’ll look for him just like they look for any other citizen of this city.’ She looked at him. ‘How would you know? I do know – know what I’m talking about. I say they don’t care – and they don’t care.’ ‘I don’t think you should look at it like that.

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About James Baldwin

James Arthur Baldwin (né Jones; August 2, 1924 – December 1, 1987) was an American writer and civil rights activist who garnered acclaim for his essays, novels, plays, and poems. His 1953 novel Go Tell It on the Mountain has been ranked by Time magazine as one of the top 100 English-language novels. His 1955 essay collection Notes of a Native Son helped establish his reputation as a voice for human equality. Baldwin was an influential public figure and orator, especially during the civil rights movement in the United States.
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that influenced both the civil rights movement and the gay liberation movement in mid-twentieth century America. His protagonists are often but not exclusively African-American; gay and bisexual men feature prominently in his work (as in his 1956 novel Giovanni's Room). His characters typically face internal and external obstacles in their search for self- and social acceptance.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.