Ian Mcewan Quote

At best he read popular science magazines like the Scientific American he had now, to keep himself up-to-date, in layman's terms, with physics generally. But even then his concentration was marred, for a lifetime's habit made him inconveniently watchful for his own name. He saw it as if in bold. It could leap out at him from an unread double page of small print, and sometimes he could sense it coming before the page turn.

Ian Mcewan

At best he read popular science magazines like the Scientific American he had now, to keep himself up-to-date, in layman's terms, with physics generally. But even then his concentration was marred, for a lifetime's habit made him inconveniently watchful for his own name. He saw it as if in bold. It could leap out at him from an unread double page of small print, and sometimes he could sense it coming before the page turn.

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About Ian Mcewan

Ian Russell McEwan (born 21 June 1948) is a British novelist and screenwriter. In 2008, The Times featured him on its list of "The 50 greatest British writers since 1945" and The Daily Telegraph ranked him number 19 in its list of the "100 most powerful people in British culture".
McEwan began his career writing sparse, Gothic short stories. His first two novels, The Cement Garden (1978) and The Comfort of Strangers (1981), earned him the nickname "Ian Macabre". These were followed by three novels of some success in the 1980s and early 1990s. His novel Enduring Love was adapted into a film of the same name. He won the Booker Prize with Amsterdam (1998). His next novel, Atonement, garnered acclaim and was adapted into an Oscar-winning film featuring Keira Knightley and James McAvoy. His later novels have included The Children Act, Nutshell, and Machines Like Me. He was awarded the 1999 Shakespeare Prize, and the 2011 Jerusalem Prize.