Graham Hancock Quote
Connecting the great universal myths of cataclysm, is it possible thatsuch coincidences that cannot be coincidences, and accidents that cannotbe accidents, could denote the global influence of an ancient, though asyet unidentified, guiding hand? If so, could it be that same hand, duringand after the last Ice Age, which drew the series of highly accurate andtechnically advanced world maps reviewed in Part I? And might not thatsame hand have left its ghostly fingerprints on another body of universalmyths? those concerning the death and resurrection of gods, and greattrees around which the earth and heavens turn, and whirlpools, andchurns, and drills, and other similar revolving, grinding contrivances?
Connecting the great universal myths of cataclysm, is it possible thatsuch coincidences that cannot be coincidences, and accidents that cannotbe accidents, could denote the global influence of an ancient, though asyet unidentified, guiding hand? If so, could it be that same hand, duringand after the last Ice Age, which drew the series of highly accurate andtechnically advanced world maps reviewed in Part I? And might not thatsame hand have left its ghostly fingerprints on another body of universalmyths? those concerning the death and resurrection of gods, and greattrees around which the earth and heavens turn, and whirlpools, andchurns, and drills, and other similar revolving, grinding contrivances?
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About Graham Hancock
Born in Edinburgh, Hancock studied sociology at Durham University before working as a journalist, writing for a number of British newspapers and magazines. His first three books dealt with international development, including Lords of Poverty (1989), a well-received critique of corruption in the aid system. Beginning with The Sign and the Seal in 1992, he shifted focus to speculative accounts of human prehistory and ancient civilizations, on which he has written a dozen books, most notably Fingerprints of the Gods and Magicians of the Gods.
Experts have described Hancock's investigations of archaeological evidence, myths and historical documents as superficially resembling investigative journalism but lacking in accuracy, consistency, and impartiality. They define his work as pseudoarchaeology and pseudohistory because they consider it to be biased towards preconceived conclusions by ignoring context, misrepresenting sources, cherry picking, and withholding critical counter-evidence. Anthropologist Jeb Card has described Hancock's writings as being paranormal in nature and his idea of an Ice Age civilization as a modern mythological narrative that, due to its emphasis on alleged secret and spiritual knowledge (including psychic abilities and communing with souls and "powerful nonphysical beings" via the use of psychedelics), is incompatible with the archaeological scientific method. Hancock portrays himself as a culture hero who fights the "dogmatism" of academics, presenting his work as more valid than professional archaeology and as "a path to truly understanding reality and the spiritual elements denied by materialist science", though he often cites science in support of his ideas. He has not submitted his writings for scholarly peer review, and they have not been published in academic journals.
He has also written two fantasy novels and in 2013 delivered a controversial TEDx talk promoting the use of the psychoactive drink ayahuasca. His ideas have been the subject of several films as well as the Netflix series Ancient Apocalypse (2022). Hancock makes regular appearances on the podcast The Joe Rogan Experience to promote his claims.