G.K. Chesterton Quote
For most people there is a fascinating inconsistency in the position of St. Francis. He expressed in loftier and bolder language than any earthly thinker the conception that laughter is as divine as tears. He called his monks the mountebanks of God. He never forgot to take pleasure in a bird as it flashed past him, or a drop of water as it fell from his finger; he was perhaps the happiest of the sons of men. Yet this man undoubtedly founded his whole polity on the negation of what we think of the most imperious necessities; in his three vows of poverty, chastity, and obedience he denied to himself, and those he loved most, property, love, and liberty. Why was it that the most large-hearted and poetic spirits in that age found their most congenial atmosphere in these awful renunciations? Why did he who loved where all men were blind, seek to blind himself where all men loved? Why was he a monk and not a troubadour? We have a suspicion that if these questions were answered we should suddenly find that much of the enigma of this sullen time of ours was answered also.
For most people there is a fascinating inconsistency in the position of St. Francis. He expressed in loftier and bolder language than any earthly thinker the conception that laughter is as divine as tears. He called his monks the mountebanks of God. He never forgot to take pleasure in a bird as it flashed past him, or a drop of water as it fell from his finger; he was perhaps the happiest of the sons of men. Yet this man undoubtedly founded his whole polity on the negation of what we think of the most imperious necessities; in his three vows of poverty, chastity, and obedience he denied to himself, and those he loved most, property, love, and liberty. Why was it that the most large-hearted and poetic spirits in that age found their most congenial atmosphere in these awful renunciations? Why did he who loved where all men were blind, seek to blind himself where all men loved? Why was he a monk and not a troubadour? We have a suspicion that if these questions were answered we should suddenly find that much of the enigma of this sullen time of ours was answered also.
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About G.K. Chesterton
Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics. Even some of those who disagree with him have recognised the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an orthodox Christian, and came to identify this position more and more with Catholicism, eventually converting from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin.
He has been referred to as the "prince of paradox". Of his writing style, Time observed: "Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." His writings were an influence on Jorge Luis Borges, who compared his work with that of Edgar Allan Poe.