Douglas Coupland Quote

[…] if sophistication is the ability to put a smile on one's existential desperation, then the fear of a glossy sheen is actually the fear that surface equals depth. ***[…] we wake up, we do something—anything—we go to sleep, and we repeat it about 22,000 more times, and then we die. ***Part of our new boredom is that our brain doesn't have any downtime. Even the smallest amount of time not being engaged creates a spooky sensatino that maybe you're on the wrong track. Reboot your computer and sit there waiting for it to do its thing, and within seventeen seconds you experience a small existential implosion when you remember that fifteen years ago life was nothing but this kind of moment. Gosh, mabe I'll read a book. Or go for a walk. Sorry. Probably not going to happen. Hey, is that the new trailer for Ex Machina? ***In the 1990s there was that expression, Get a life! You used to say it to people who were overly fixating on some sort of minutia or detail or thought thread, and by saying, Get a life, you were trying to snap them out of their obsession and get them to join the rest of us who are still out in the world, taking walks and contemplating trees and birds. The expression made sense at the time, but it's been years since I've heard anyone use it anywhere. What did it mean then, getting a life? Did we all get one? Or maybe we've all not got lives anymore, and calling attention to one person without a life would put the spotlight on all of humanity and our now full-time pursuit of minutia, details and tangential idea threads. ***I don't buy lottery tickets because they spook me. If you buy a one-in-fifty-million chance to win a cash jackpoint, you're simultaneously tempting fate and adding all sorts of other bonus probabilities to your plance of existence: car crashes, random shootings, being struck by a meteorite. Why open a door that didn't need opening? ***I read something last week and it made sense to me: people want other people to do well in life but not too well. I've never won a raffle or prize or lottery draw, and I can't help but wonder how it must feel. One moment you're just plain old you, and then whaam, you're a winner and now everyone hates you and wants your money. It must be bittersweet. You hear all those stories about how big lottery winners' lives are ruined by winning, but that's not an urban legend. It's pretty much the norm. Be careful what you wish for and, while you're doing so, be sure to use the numbers between thirty-two and forty-nine.

Douglas Coupland

[…] if sophistication is the ability to put a smile on one's existential desperation, then the fear of a glossy sheen is actually the fear that surface equals depth. ***[…] we wake up, we do something—anything—we go to sleep, and we repeat it about 22,000 more times, and then we die. ***Part of our new boredom is that our brain doesn't have any downtime. Even the smallest amount of time not being engaged creates a spooky sensatino that maybe you're on the wrong track. Reboot your computer and sit there waiting for it to do its thing, and within seventeen seconds you experience a small existential implosion when you remember that fifteen years ago life was nothing but this kind of moment. Gosh, mabe I'll read a book. Or go for a walk. Sorry. Probably not going to happen. Hey, is that the new trailer for Ex Machina? ***In the 1990s there was that expression, Get a life! You used to say it to people who were overly fixating on some sort of minutia or detail or thought thread, and by saying, Get a life, you were trying to snap them out of their obsession and get them to join the rest of us who are still out in the world, taking walks and contemplating trees and birds. The expression made sense at the time, but it's been years since I've heard anyone use it anywhere. What did it mean then, getting a life? Did we all get one? Or maybe we've all not got lives anymore, and calling attention to one person without a life would put the spotlight on all of humanity and our now full-time pursuit of minutia, details and tangential idea threads. ***I don't buy lottery tickets because they spook me. If you buy a one-in-fifty-million chance to win a cash jackpoint, you're simultaneously tempting fate and adding all sorts of other bonus probabilities to your plance of existence: car crashes, random shootings, being struck by a meteorite. Why open a door that didn't need opening? ***I read something last week and it made sense to me: people want other people to do well in life but not too well. I've never won a raffle or prize or lottery draw, and I can't help but wonder how it must feel. One moment you're just plain old you, and then whaam, you're a winner and now everyone hates you and wants your money. It must be bittersweet. You hear all those stories about how big lottery winners' lives are ruined by winning, but that's not an urban legend. It's pretty much the norm. Be careful what you wish for and, while you're doing so, be sure to use the numbers between thirty-two and forty-nine.

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About Douglas Coupland

Douglas Coupland (born 30 December 1961) is a Canadian novelist, designer, and visual artist. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized the terms Generation X and McJob. He has published 13 novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. He is a columnist for the Financial Times, as well as a frequent contributor to The New York Times, e-flux journal, DIS Magazine, and Vice. His art exhibits include Everywhere Is Anywhere Is Anything Is Everything, which was exhibited at the Vancouver Art Gallery, and the Royal Ontario Museum and the Museum of Contemporary Canadian Art, now the Museum of Contemporary Art Toronto Canada, and Bit Rot at Rotterdam's Witte de With Center for Contemporary Art, as well as the Villa Stuck.
Coupland is an Officer of the Order of Canada, and a member of the Order of British Columbia. He published his thirteenth novel Worst. Person. Ever. in 2012. He also released an updated version of City of Glass and the biography Extraordinary Canadians: Marshall McLuhan. He was the presenter of the 2010 Massey Lectures, with a companion novel to the lectures published by House of Anansi Press: Player One – What Is to Become of Us: A Novel in Five Hours. Coupland has been long-listed twice for the Scotiabank Giller Prize in 2006 and 2010, was a finalist for the Writers' Trust Fiction Prize in 2009, and was nominated for the Hubert Evans Non-Fiction Prize in 2011 for Extraordinary Canadians: Marshall McLuhan.