D.H. Lawrence Quote
Related Quotes
Try as you might, you'll never be able to please an environmentalist. You can stop using coal to heat your house, you can stop throwing out bottles and cans, you can have every factory in Canada shut...
Rebecca McNutt
Tags:
canada, climate, climate change, coal, earth, ecology, economy, electric car, environment, factory
Old-growth forests met no needs. They simply were, in a way that bore no questions about purpose or value. They could not be created by men. They could not even be understood by men. They had too many...
Steve Olson
Tags:
1980s, beauty in nature, ecology, forests, history, man, mount st helens, nature, trees, washington
About D.H. Lawrence
David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels – Sons and Lovers
(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, the English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, the English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.
(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, the English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, the English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.