David Foster Wallace Quote
Q: What do you think is magical about fiction?DFW: ... The first line of attack for that question is that there is this existential loneliness in the real world. I don't know what you're thinking or what it's like inside you and you don't know what it's like inside me. In fiction I think we can leap over that wall itself in a certain way... There's another level... A really great piece of fiction for me may or may not take me away and make me forget that I'm sitting in a chair. There's real commercial stuff can do that, and a riveting plot can do that, but it doesn't make me feel less lonely... There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone--intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.
Q: What do you think is magical about fiction?DFW: ... The first line of attack for that question is that there is this existential loneliness in the real world. I don't know what you're thinking or what it's like inside you and you don't know what it's like inside me. In fiction I think we can leap over that wall itself in a certain way... There's another level... A really great piece of fiction for me may or may not take me away and make me forget that I'm sitting in a chair. There's real commercial stuff can do that, and a riveting plot can do that, but it doesn't make me feel less lonely... There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone--intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.
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About David Foster Wallace
Wallace grew up in Illinois. He graduated from Amherst College and the University of Arizona. His honors thesis at Amherst, about modal logic, was adapted into his debut novel The Broom of the System (1987). In his writing, Wallace intentionally avoided tropes of postmodern art such as irony or forms of metafiction, saying in 1990 that they were "agents of a great despair and stasis" in contemporary American culture. Infinite Jest, his second novel, is known for its unconventional narrative structure and extensive use of endnotes.
Wallace published three short story collections: Girl with Curious Hair (1989); Brief Interviews with Hideous Men (1999), which was adapted into a 2009 film; and Oblivion: Stories (2004). His short stories and essays were published in outlets like The New Yorker and Rolling Stone magazines, and three collections of his essays were published as books: A Supposedly Fun Thing I'll Never Do Again (1997); Consider the Lobster (2005); and Both Flesh and Not (2012). Wallace also taught English and creative writing at Emerson College, Illinois State University, and Pomona College.
In 2008, after struggling with depression for many years, Wallace died by suicide at age 46. His unfinished novel The Pale King was published in 2011 and was a finalist for the 2012 Pulitzer Prize for Fiction.