David Cronenberg Quote
As an artist you look into yourself to understand the human potential to be all kinds of things that are not necessarily pleasant but are real - a criminal, a murderer, a sadist, a rapist; to be all of these things that many people are. You can't allow yourself to say, 'I'm a different species from those people.' Because you aren't.The criminal as monster is kind of common. That's very convenient because you can then say, 'Of course I'm not a monster, therefore I'm not a criminal therefore I have no potential in tern of criminality.' And that lets you off the hook. That gives you a nice wall between yourself and them.
David Cronenberg
As an artist you look into yourself to understand the human potential to be all kinds of things that are not necessarily pleasant but are real - a criminal, a murderer, a sadist, a rapist; to be all of these things that many people are. You can't allow yourself to say, 'I'm a different species from those people.' Because you aren't.The criminal as monster is kind of common. That's very convenient because you can then say, 'Of course I'm not a monster, therefore I'm not a criminal therefore I have no potential in tern of criminality.' And that lets you off the hook. That gives you a nice wall between yourself and them.
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crime, interviews
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About David Cronenberg
Cronenberg's films have polarized critics and audiences alike; he has earned critical acclaim and has sparked controversy for his depictions of gore and violence. The Village Voice called him "the most audacious and challenging narrative director in the English-speaking world". His films have won numerous awards, including the Special Jury Prize for Crash at the 1996 Cannes Film Festival, a unique award that is distinct from the Jury Prize as it is not given annually, but only at the request of the official jury, who in this case gave the award "for originality, for daring, and for audacity".
From the 2000s to the 2020s, Cronenberg collaborated on several films with Viggo Mortensen, including A History of Violence (2005), Eastern Promises (2007), A Dangerous Method (2011) and Crimes of the Future (2022). Seven of his films were selected to compete for the Palme d'Or, the most recent being The Shrouds (2024), which was screened at the 2024 Cannes Film Festival.