Christopher Isherwood Quote
Here, in their midst, George feels a sort of vertigo. Oh God, what will become of them all? What chance have they? Ought I to yell out to them, right now, here, that it’s hopeless? But George knows he can’t do that. Because, absurdly, inadequately, in spite of himself, almost, he is a representative of the hope. And the hope is not false. No. It’s just that George is like a man trying to sell a real diamond for a nickel, on the street. The diamond is protected from all but the tiniest few, because the great hurrying majority can never stop to dare to believe that it could conceivably be real.
Christopher Isherwood
Here, in their midst, George feels a sort of vertigo. Oh God, what will become of them all? What chance have they? Ought I to yell out to them, right now, here, that it’s hopeless? But George knows he can’t do that. Because, absurdly, inadequately, in spite of himself, almost, he is a representative of the hope. And the hope is not false. No. It’s just that George is like a man trying to sell a real diamond for a nickel, on the street. The diamond is protected from all but the tiniest few, because the great hurrying majority can never stop to dare to believe that it could conceivably be real.
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About Christopher Isherwood
Christopher William Bradshaw Isherwood (26 August 1904 – 4 January 1986) was an English and American novelist, playwright, screenwriter, autobiographer, and diarist. His best-known works include Goodbye to Berlin (1939), a semi-autobiographical novel which inspired the musical Cabaret (1966); A Single Man (1964), adapted into a film directed by Tom Ford in 2009; and Christopher and His Kind (1976), a memoir which "carried him into the heart of the Gay Liberation movement".