Charles de Lint Quote
The lonesome dark.That's what Jack called a night like this. When you were distanced from everything and everybody. Out on your own and there was nobody to care if you were happy or sad. If you lived or died.The lonesome dark hadn't existed in the old days. That was something people invented. Like time. Parcel up the days, parcel up the seasons. Add a minute here, a day there when it doesn't quite fit. Trim the square peg so that you could slide it into the round hole. In the old days the night was as open as the day. It wasn't a better place to hide because there was nothing to hide from. You weren't outside because there was no in.
Charles de Lint
The lonesome dark.That's what Jack called a night like this. When you were distanced from everything and everybody. Out on your own and there was nobody to care if you were happy or sad. If you lived or died.The lonesome dark hadn't existed in the old days. That was something people invented. Like time. Parcel up the days, parcel up the seasons. Add a minute here, a day there when it doesn't quite fit. Trim the square peg so that you could slide it into the round hole. In the old days the night was as open as the day. It wasn't a better place to hide because there was nothing to hide from. You weren't outside because there was no in.
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About Charles de Lint
Charles de Lint (born December 22, 1951) is a Canadian writer.
Primarily a writer of fantasy fiction, he has composed works of urban fantasy, contemporary magical realism, and mythic fiction. Along with authors like Terri Windling, Emma Bull, and John Crowley, de Lint during the 1980s pioneered and popularized the subgenre of urban fantasy. He writes novels, novellas, short stories, poetry]], and lyrics. His most famous works include: the Newford series of books (Dreams Underfoot, Widdershins, The Blue Girl, The Onion Girl, Moonlight and Vines, Someplace to be Flying, etc.), as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats (children's book illustrated by Charles Vess). His distinctive style of fantasy uses American folklore and European folklore; de Lint was influenced by many authors of mythology, folklore, and science fiction, including J. R. R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, and E. R. Eddison. Some of his mythic fiction poetry can be found online on the Endicott Studio website.
As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries.
Primarily a writer of fantasy fiction, he has composed works of urban fantasy, contemporary magical realism, and mythic fiction. Along with authors like Terri Windling, Emma Bull, and John Crowley, de Lint during the 1980s pioneered and popularized the subgenre of urban fantasy. He writes novels, novellas, short stories, poetry]], and lyrics. His most famous works include: the Newford series of books (Dreams Underfoot, Widdershins, The Blue Girl, The Onion Girl, Moonlight and Vines, Someplace to be Flying, etc.), as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats (children's book illustrated by Charles Vess). His distinctive style of fantasy uses American folklore and European folklore; de Lint was influenced by many authors of mythology, folklore, and science fiction, including J. R. R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, and E. R. Eddison. Some of his mythic fiction poetry can be found online on the Endicott Studio website.
As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries.