Charles de Lint Quote

I do know that the gardens of the first lands are still lying there, right under the skin of the world- pulsing the way our heartbeat drums under our own skin. And I believe that there's a connectedness between everything that gives some people a deep and abiding affinity to a certain kind of place or creature.Like totems?Maybe. Or maybe something even more personal- something that's impossible to articulate with the vocabulary we have at the moment.This is too weird.Annie shrugged. What can I say? It's getting late, the stars are out. Once the sun sets, I tend to embrace whatever wild spirits are running around in the darkness, talking away to each other. I leave the logic of streets and pavement and cars and tall buildings behind and buy into the old magics that they're whispering about. Sometimes those little mysteries and bits of wisdom stick to the bones of my head and I carry them right out into the sunlight again. They're like Jack's stories, true and not true, all at the same time. They don't exactly shape my life, but they certainly colour it. She glanced at him, I wouldn't like to live in a world where everything's as cut-and-dried as most people think it is

Charles de Lint

I do know that the gardens of the first lands are still lying there, right under the skin of the world- pulsing the way our heartbeat drums under our own skin. And I believe that there's a connectedness between everything that gives some people a deep and abiding affinity to a certain kind of place or creature.Like totems?Maybe. Or maybe something even more personal- something that's impossible to articulate with the vocabulary we have at the moment.This is too weird.Annie shrugged. What can I say? It's getting late, the stars are out. Once the sun sets, I tend to embrace whatever wild spirits are running around in the darkness, talking away to each other. I leave the logic of streets and pavement and cars and tall buildings behind and buy into the old magics that they're whispering about. Sometimes those little mysteries and bits of wisdom stick to the bones of my head and I carry them right out into the sunlight again. They're like Jack's stories, true and not true, all at the same time. They don't exactly shape my life, but they certainly colour it. She glanced at him, I wouldn't like to live in a world where everything's as cut-and-dried as most people think it is

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About Charles de Lint

Charles de Lint (born December 22, 1951) is a Canadian writer.
Primarily a writer of fantasy fiction, he has composed works of urban fantasy, contemporary magical realism, and mythic fiction. Along with authors like Terri Windling, Emma Bull, and John Crowley, de Lint during the 1980s pioneered and popularized the subgenre of urban fantasy. He writes novels, novellas, short stories, poetry]], and lyrics. His most famous works include: the Newford series of books (Dreams Underfoot, Widdershins, The Blue Girl, The Onion Girl, Moonlight and Vines, Someplace to be Flying, etc.), as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats (children's book illustrated by Charles Vess). His distinctive style of fantasy uses American folklore and European folklore; de Lint was influenced by many authors of mythology, folklore, and science fiction, including J. R. R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, and E. R. Eddison. Some of his mythic fiction poetry can be found online on the Endicott Studio website.
As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries.