Azar Nafisi Quote
One of the most wonderful things about Pride and Prejudice is the variety of voices it embodies. There are so many different forms of dialogue: between several people, between two people, internal dialogue and dialogue through letters. All tensions are created and resolved through dialogue. Austen's ability to create such multivocality, such diverse voices and intonations in relation and in confrontation within a cohesive structure, is one of the best examples of the democratic aspect of the novel. In Austen's novels, there are spaces for oppositions that do not need to eliminate each other in order to exist. There is also space - not just space but a necessity - for self-reflection and self-criticism. Such reflection is the cause of change. We needed no message, no outright call for plurality, to prove our point. All we needed was to reach and appreciate the cacophony of voices to understand its democratic imperative. There was where Austen's danger lay.
One of the most wonderful things about Pride and Prejudice is the variety of voices it embodies. There are so many different forms of dialogue: between several people, between two people, internal dialogue and dialogue through letters. All tensions are created and resolved through dialogue. Austen's ability to create such multivocality, such diverse voices and intonations in relation and in confrontation within a cohesive structure, is one of the best examples of the democratic aspect of the novel. In Austen's novels, there are spaces for oppositions that do not need to eliminate each other in order to exist. There is also space - not just space but a necessity - for self-reflection and self-criticism. Such reflection is the cause of change. We needed no message, no outright call for plurality, to prove our point. All we needed was to reach and appreciate the cacophony of voices to understand its democratic imperative. There was where Austen's danger lay.
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About Azar Nafisi
Nafisi has held several academic leadership roles, including director of the Johns Hopkins University's School of Advanced International Studies (SAIS) Dialogue Project and Cultural Conversations, a Georgetown Walsh School of Foreign Service, Centennial Fellow, and a fellow at Oxford University.
She is the niece of a famous Iranian scholar, fiction writer and poet Saeed Nafisi. Azar Nafisi is best known for her 2003 book Reading Lolita in Tehran: A Memoir in Books, which remained on The New York Times Best Seller list for 117 weeks, and has won several literary awards, including the 2004 Non-fiction Book of the Year Award from Booksense.
In addition to Reading Lolita in Tehran, Nafisi has authored, Things I've Been Silent About: Memories of a Prodigal Daughter, The Republic of Imagination: America in Three Books and That Other World: Nabokov and the Puzzle of Exile. Her newest book, Read Dangerously: The Subversive Power of Literature in Troubled Times was published March 8, 2022.