“ Those who are close to us, when they die, divide our world. There is the world of the living, which we finally, in one way or another, succumb to, and then there is the domain of the dead that, like a… Azar Nafisi
“ The insistence in Darcy's voice is a symptom of his passion for Elizabeth; it emerges even in their most mundane interactions. We can trace the development of Darcy's feelings for Elizabeth in the ton… Azar Nafisi
“ You don't read Gatsby, I said, to learn whether adultery is good or bad but to learn about how complicated issues such as adultery and fidelity and marriage are. A great novel heightens your senses an… Azar Nafisi
“ One of the most wonderful things about Pride and Prejudice is the variety of voices it embodies. There are so many different forms of dialogue: between several people, between two people, internal dia… Azar Nafisi
“ I went on and on, and as I continued, I became more righteous in my indignation. It was the sort of anger one gets high on, the kind one takes home to show off to family and friends. Azar Nafisi
“ It was one of the only times in my teaching career that I got angry and showed it in class. I was young and inexperienced, and I thought certain standards were respected and understood. Azar Nafisi
“ Resentment had erased all ambiguity in our encounters with people like him; we had been polarized into us and them. Azar Nafisi
“ The truth is that James, like many other great writers and artists, had chosen his own loyalties and nationality. His true country, his home, was that of the imagination. Azar Nafisi
“ The truth was that upsilamba was one of Nabokovs fascinating creations, possibly a word he invented. I said I associate Upsilamba with the impossible joy of a suspended leap. Yassi, who seemed excited… Azar Nafisi
“ Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality the… Azar Nafisi
“ [A] great novel will allow you to transcend the social, racial and political limitations imposed by the vicissitudes of life and to find a deep fraternity based on empathy. Azar Nafisi
“ We were thirsty for some form of beauty, even in an incomprehensible, overintellectual, abstract film with no subtitles and censored out of recognition. There was a sense of wonder at being in a publi… Azar Nafisi
“ There are different forms of seduction, and the kind I have witnessed in Persian dancers is so unique, such a mixture of subtlety and brazenness, I cannot find a Western equivalent to compare it to. I… Azar Nafisi
“ You get a strange feeling when you're about to leave a place...like you'll not only miss the people you love but you'll miss the person you are now at this time and this place, because you'll never be… Azar Nafisi
“ It is not accidental that the most unsympathetic characters in Austen's novels are those who are incapable of genuine dialogue with others. They rant. They lecture. They scold. This incapacity for tru… Azar Nafisi
“ How can we protect ourselves from a culture of manipulation, where tastes and flavors are re-created chemically in laboratories and given to us as natural food, where religion is packaged, televised a… Azar Nafisi
“ Whoever we were—and it was not really important what religion we belonged to, whether we wished to wear the veil or not, whether we observed certain religious norms or not—we had become the figment of… Azar Nafisi
“ There were no public articulations of these humiliations, so we took refuge in accidental occasions to weave our resentments and hatreds into little stories that lost their impact as soon as they were… Azar Nafisi
