Adam Gopnik Quote
The sublime moment of cooking, though, is really the moment when nature becomes culture, stuff becomes things. It is the moment when the red onions have been chopped and the bacon has been sliced into lardons and the chestnuts have been peeled, and they are all mijotéing together in the pot, and then—a specific moment—the colors begin to change, and the smells gather together just at the level of your nose. Everything begins to mottle, bend from raw to cooked. The chestnuts, if you’re doing chestnuts, turn a little damp, a little weepy. That’s what they do; everything weeps.
Adam Gopnik
The sublime moment of cooking, though, is really the moment when nature becomes culture, stuff becomes things. It is the moment when the red onions have been chopped and the bacon has been sliced into lardons and the chestnuts have been peeled, and they are all mijotéing together in the pot, and then—a specific moment—the colors begin to change, and the smells gather together just at the level of your nose. Everything begins to mottle, bend from raw to cooked. The chestnuts, if you’re doing chestnuts, turn a little damp, a little weepy. That’s what they do; everything weeps.
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About Adam Gopnik
Adam Gopnik (born August 24, 1956) is an American writer and essayist, who was raised in Montreal, Canada. He is best known as a staff writer for The New Yorker, to which he has contributed nonfiction, fiction, memoir, and criticism since 1986.
He is the author of nine books, including Paris to the Moon, Through the Children's Gate, The King in the Window, and A Thousand Small Sanities: The Moral Adventure of Liberalism. In 2020, his essay "The Driver's Seat" was cited as the most-assigned piece of contemporary nonfiction in the English-language syllabus.
He is the author of nine books, including Paris to the Moon, Through the Children's Gate, The King in the Window, and A Thousand Small Sanities: The Moral Adventure of Liberalism. In 2020, his essay "The Driver's Seat" was cited as the most-assigned piece of contemporary nonfiction in the English-language syllabus.