Adam Begley Quote

And, most ambitiously, Updike dreamed up an absurdist spectacle (not unlike the drama of the blind cripple and the priests) that drew a large and appreciative lunchtime crowd to a street adjacent to the Yard: a fool disguised as an old man driving an ancient jalopy was hit from behind by a car packed with fellow fools; the old man jumped out and swore at the others in Italian, whereupon they poured from their car carrying sledgehammers and crowbars and proceeded to utterly demolish the jalopy—then drove off lickety-split, leaving the ruined vehicle in the road. In addition to the pranks and the motley

Adam Begley

And, most ambitiously, Updike dreamed up an absurdist spectacle (not unlike the drama of the blind cripple and the priests) that drew a large and appreciative lunchtime crowd to a street adjacent to the Yard: a fool disguised as an old man driving an ancient jalopy was hit from behind by a car packed with fellow fools; the old man jumped out and swore at the others in Italian, whereupon they poured from their car carrying sledgehammers and crowbars and proceeded to utterly demolish the jalopy—then drove off lickety-split, leaving the ruined vehicle in the road. In addition to the pranks and the motley

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About Adam Begley

Adam C. Begley (born 1959 in Boston, Massachusetts) is an American biographer. He was the books editor for The New York Observer from 1996 to 2009.
Begley is the son of Sally (Higginson) and novelist Louis Begley. He graduated from Harvard College in 1982, and from Stanford University with a Ph.D. in English and American literature in 1989.
His work has appeared in The New York Times, The Guardian, The Times Literary Supplement, The Spectator, and The Atlantic.
He lives with his wife, Anne Cotton, in Great Gidding, Cambridgeshire. His stepdaughter is the novelist and art critic, Chloë Ashby.
He is the author of biographies of John Updike and the 19th-century French photographer Nadar. His biography of Harry Houdini appeared in the Yale Jewish Lives series. He is a frequent contributor to the Paris Review's Art of Fiction series.
He is currently at work on a book about Harvard College.