Virginia Woolf Quote
Clarissa had a theory in those days - they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not 'here, here, here'; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoke to, some women in the street, some man behind a counter - even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places, after death. Perhaps - perhaps.
Clarissa had a theory in those days - they had heaps of theories, always theories, as young people have. It was to explain the feeling they had of dissatisfaction; not knowing people; not being known. For how could they know each other? You met every day; then not for six months, or years. It was unsatisfactory, they agreed, how little one knew people. But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere; not 'here, here, here'; and she tapped the back of the seat; but everywhere. She waved her hand, going up Shaftesbury Avenue. She was all that. So that to know her, or any one, one must seek out the people who completed them; even the places. Odd affinities she had with people she had never spoke to, some women in the street, some man behind a counter - even trees, or barns. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places, after death. Perhaps - perhaps.
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About Virginia Woolf
Virginia Woolf was born in South Kensington, London, into an affluent and intellectual family as the seventh child of Julia Prinsep Jackson and Leslie Stephen. She grew up in a blended household of eight children, including her sister, the painter Vanessa Bell. Educated at home in English classics and Victorian literature, Woolf later attended King’s College London, where she studied classics and history and encountered early advocates for women’s rights and education.
After the death of her father in 1904, Woolf and her family moved to the bohemian Bloomsbury district, where she became a founding member of the influential Bloomsbury Group. She married Leonard Woolf in 1912, and together they established the Hogarth Press in 1917, which published much of her work. They eventually settled in Sussex in 1940, maintaining their involvement in literary circles throughout their lives.
Woolf began publishing professionally in 1900 and rose to prominence during the interwar period with novels like Mrs Dalloway (1925), To the Lighthouse (1927), and Orlando (1928), as well as the feminist essay A Room of One’s Own (1929). Her work became central to 1970s feminist criticism and remains influential worldwide, having been translated into over 50 languages. Woolf’s legacy endures through extensive scholarship, cultural portrayals, and tributes such as memorials, societies, and university buildings bearing her name.