Truman Capote Quote
There is always something wrong with redheads. The hair is kinky, or it's the wrong color, too dark and tough, or too pale and sickly. And the skin - it rejects the elements: wind, sun, everything discolors it. A really beautiful redhead is rarer than a flawless forty-carat pigeon-blood ruby - or a flawed one, for that matter. But none of this was true of Kate. Her hair was like a winter sunset, lighted with the last of the pale afterglow. And the only redhead I've ever seen with a complexion to compare with hers was Pamela Churchill's. But then, Pam is English, she grew up saturated with dewy English mists, something every dermatologist ought to bottle.
There is always something wrong with redheads. The hair is kinky, or it's the wrong color, too dark and tough, or too pale and sickly. And the skin - it rejects the elements: wind, sun, everything discolors it. A really beautiful redhead is rarer than a flawless forty-carat pigeon-blood ruby - or a flawed one, for that matter. But none of this was true of Kate. Her hair was like a winter sunset, lighted with the last of the pale afterglow. And the only redhead I've ever seen with a complexion to compare with hers was Pamela Churchill's. But then, Pam is English, she grew up saturated with dewy English mists, something every dermatologist ought to bottle.
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About Truman Capote
Capote had a troubled childhood caused by his parents' divorce, a long absence from his mother, and multiple moves. He was planning to become a writer by the time he was eight years old, and he honed his writing ability throughout his childhood. He began his professional career writing short stories. The critical success of "Miriam" (1945) attracted the attention of Random House publisher Bennett Cerf and resulted in a contract to write the novel Other Voices, Other Rooms (1948). He achieved widespread acclaim with Breakfast at Tiffany's (1958)—a novella about a fictional New York café society girl named Holly Golightly, and the true crime novel In Cold Blood (1966)—a journalistic work about the murder of a Kansas farm family in their home. Capote spent six years writing the latter, aided by his lifelong friend Harper Lee, who wrote To Kill a Mockingbird (1960).