Truman Capote Quote

Sorrow and profound fatigue are at the heart of Dewey's silence. It had been his ambition to learn exactly what happened in that house that night. Twice now he'd been told, and the two versions were very much alike, the only serious discrepancy being that Hickock attributed all four deaths to Smith, while Smith contended that Hickock had killed the two women. But the confessions, though they answered questions of how and why, failed to satisfy his sense of meaningful design. The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning. Except for one thing: they had experienced prolonged terror, they had suffered. And Dewey could not forget their sufferings. Nonetheless, he found it possible to look at the man beside him without anger - with, rather, a measure of sympathy - for Perry Smith's life had been no bed of roses but pitiful, an ugly and lonely progress toward one mirage and then another. Dewey's sympathy, however, was not deep enough to accommodate either forgiveness or mercy. He hoped to see Perry and his partner hanged - hanged back to back.

Truman Capote

Sorrow and profound fatigue are at the heart of Dewey's silence. It had been his ambition to learn exactly what happened in that house that night. Twice now he'd been told, and the two versions were very much alike, the only serious discrepancy being that Hickock attributed all four deaths to Smith, while Smith contended that Hickock had killed the two women. But the confessions, though they answered questions of how and why, failed to satisfy his sense of meaningful design. The crime was a psychological accident, virtually an impersonal act; the victims might as well have been killed by lightning. Except for one thing: they had experienced prolonged terror, they had suffered. And Dewey could not forget their sufferings. Nonetheless, he found it possible to look at the man beside him without anger - with, rather, a measure of sympathy - for Perry Smith's life had been no bed of roses but pitiful, an ugly and lonely progress toward one mirage and then another. Dewey's sympathy, however, was not deep enough to accommodate either forgiveness or mercy. He hoped to see Perry and his partner hanged - hanged back to back.

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About Truman Capote

Truman Garcia Capote ( kə-POH-tee; born Truman Streckfus Persons; September 30, 1924 – August 25, 1984) was an American novelist, screenwriter, playwright, and actor. Several of his short stories, novels, and plays have been praised as literary classics, including the novella Breakfast at Tiffany's (1958) and the true crime novel In Cold Blood (1966). His works have been adapted into more than 20 films and television productions.
Capote had a troubled childhood caused by his parents' divorce, a long absence from his mother, and multiple moves. He was planning to become a writer by the time he was eight years old, and he honed his writing ability throughout his childhood. He began his professional career writing short stories. The critical success of "Miriam" (1945) attracted the attention of Random House publisher Bennett Cerf and resulted in a contract to write the novel Other Voices, Other Rooms (1948). Capote earned the most fame with In Cold Blood (1966), a journalistic work about the murder of a Kansas farm family in their home. Capote spent six years writing the book, aided by his lifelong friend Harper Lee, who wrote To Kill a Mockingbird (1960).