Thomas Pynchon Quote

Sometimes, down in the subway, a train Maxine's riding on will slowly be overtaken by a local or an express on the other track, and in the darkness of the tunnel, as the windows of the other train move slowly past, the lighted panels appear one by one, like a series of fortune-telling cards being deal and slid in front of her. The Scholar, The Unhoused, The Warrior Thief, The Haunted Woman... After a while Maxine has come to understand that the faces framed in these panels are precisely those out of all the city millions she must in the hour be paying most attention to, in particular those whose eyes actually meet her own - they are the day's messengers from whatever the Beyond has for a Third World, where the days are assembled one by one under non-union conditions. Each messenger carrying the props required for their character, shopping bags, books, musical instruments, arrived here out of darkness, bound again into darkness, with only a minute to deliver the intelligence Maxine needs. At some point naturally she begins to wonder if she might not be performing the same role for some face looking back out another window at her.

Thomas Pynchon

Sometimes, down in the subway, a train Maxine's riding on will slowly be overtaken by a local or an express on the other track, and in the darkness of the tunnel, as the windows of the other train move slowly past, the lighted panels appear one by one, like a series of fortune-telling cards being deal and slid in front of her. The Scholar, The Unhoused, The Warrior Thief, The Haunted Woman... After a while Maxine has come to understand that the faces framed in these panels are precisely those out of all the city millions she must in the hour be paying most attention to, in particular those whose eyes actually meet her own - they are the day's messengers from whatever the Beyond has for a Third World, where the days are assembled one by one under non-union conditions. Each messenger carrying the props required for their character, shopping bags, books, musical instruments, arrived here out of darkness, bound again into darkness, with only a minute to deliver the intelligence Maxine needs. At some point naturally she begins to wonder if she might not be performing the same role for some face looking back out another window at her.

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About Thomas Pynchon

Thomas Ruggles Pynchon Jr. ( PIN-chon, commonly PIN-chən; born May 8, 1937) is an American novelist noted for his dense and complex novels. His fiction and non-fiction writings encompass a vast array of subject matter, genres and themes, including history, music, science, and mathematics. For Gravity's Rainbow, Pynchon won the 1973 U.S. National Book Award for Fiction.
Hailing from Long Island, Pynchon served two years in the United States Navy and earned an English degree from Cornell University. After publishing several short stories in the late 1950s and early 1960s, he began composing the novels for which he is best known: V. (1963), The Crying of Lot 49 (1966), and Gravity's Rainbow (1973). Rumors of a historical novel about Charles Mason and Jeremiah Dixon had circulated as early as the 1980s; the novel, Mason & Dixon, was published in 1997 to critical acclaim. His 2009 novel Inherent Vice was adapted into a feature film by Paul Thomas Anderson in 2014. Pynchon is notoriously reclusive from the media; few photographs of him have been published, and rumors about his location and identity have circulated since the 1960s. Pynchon's most recent novel, Bleeding Edge, was published on September 17, 2013.