Thomas Pynchon Quote
At the ukulele workshop that summer. He lectured on the four-note chord in the context of timelessness, and described himself then as a Quaternionist. We had quickly discovered our common love of the instrument, Miles recalled, and discussed the widespread contempt in which ukulele players are held— traceable, we concluded, to the uke’s all-but-exclusive employment as a producer of chords—single, timeless events apprehended all at once instead of serially. Notes of a linear melody, up and down a staff, being a record of pitch versus time, to play a melody is to introduce the element of time, and hence of mortality. Our perceived reluctance to leave the timelessness of the struck chord has earned ukulele players our reputation as feckless, clownlike children who will not grow up.
At the ukulele workshop that summer. He lectured on the four-note chord in the context of timelessness, and described himself then as a Quaternionist. We had quickly discovered our common love of the instrument, Miles recalled, and discussed the widespread contempt in which ukulele players are held— traceable, we concluded, to the uke’s all-but-exclusive employment as a producer of chords—single, timeless events apprehended all at once instead of serially. Notes of a linear melody, up and down a staff, being a record of pitch versus time, to play a melody is to introduce the element of time, and hence of mortality. Our perceived reluctance to leave the timelessness of the struck chord has earned ukulele players our reputation as feckless, clownlike children who will not grow up.
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About Thomas Pynchon
Hailing from Long Island, Pynchon served two years in the United States Navy and earned an English degree from Cornell University. After publishing several short stories in the late 1950s and early 1960s, he began composing the novels for which he is best known: V. (1963), The Crying of Lot 49 (1966), and Gravity's Rainbow (1973). Rumors of a historical novel about Charles Mason and Jeremiah Dixon had circulated as early as the 1980s; the novel, Mason & Dixon, was published in 1997 to critical acclaim. His 2009 novel Inherent Vice was adapted into a feature film by Paul Thomas Anderson in 2014. Pynchon is notoriously reclusive from the media; few photographs of him have been published, and rumors about his location and identity have circulated since the 1960s. Pynchon's most recent novel, Shadow Ticket, is expected to be published in 2025.