Thomas Pynchon Quote

As if somehow irony, she recaps for Maxine, as practiced by a giggling mincing fifth column, actually brought on the events of 11 September, by keeping the country insufficiently serious — weakening its grip on ‘reality.’ So all kinds of make-believe—forget the delusional state the country’s in already—must suffer as well. Everything has to be literal now.Yeah, the kids are even getting it at school. Ms. Cheung, an English teacher who if Kugelblitz were a town would be the neighborhood scold, has announced that there shall be no more fictional reading assignments. Otis is terrified, Ziggy less so. Maxine will walk in on them watching Rugrats or reruns of Rocko’s Modern Life, and they holler by reflex, Don’t tell Ms. Cheung!You notice, Heidi continues, how ‘reality’ programming is suddenly all over the cable, like dog shit? Of course, it’s so producers shouldn’t have to pay real actors scale. But wait! There’s more! Somebody needs this nation of starers believing they’re all wised up at last, hardened and hip to the human condition, freed from the fictions that led them so astray, as if paying attention to made-up lives was some form of evil drug abuse that the collapse of the towers cured by scaring everybody straight again.

Thomas Pynchon

As if somehow irony, she recaps for Maxine, as practiced by a giggling mincing fifth column, actually brought on the events of 11 September, by keeping the country insufficiently serious — weakening its grip on ‘reality.’ So all kinds of make-believe—forget the delusional state the country’s in already—must suffer as well. Everything has to be literal now.Yeah, the kids are even getting it at school. Ms. Cheung, an English teacher who if Kugelblitz were a town would be the neighborhood scold, has announced that there shall be no more fictional reading assignments. Otis is terrified, Ziggy less so. Maxine will walk in on them watching Rugrats or reruns of Rocko’s Modern Life, and they holler by reflex, Don’t tell Ms. Cheung!You notice, Heidi continues, how ‘reality’ programming is suddenly all over the cable, like dog shit? Of course, it’s so producers shouldn’t have to pay real actors scale. But wait! There’s more! Somebody needs this nation of starers believing they’re all wised up at last, hardened and hip to the human condition, freed from the fictions that led them so astray, as if paying attention to made-up lives was some form of evil drug abuse that the collapse of the towers cured by scaring everybody straight again.

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About Thomas Pynchon

Thomas Ruggles Pynchon Jr. ( PIN-chon, commonly PIN-chən; born May 8, 1937) is an American novelist noted for his dense and complex novels. His fiction and non-fiction writings encompass a vast array of subject matter, genres and themes, including history, music, science, and mathematics. For Gravity's Rainbow, Pynchon won the 1973 U.S. National Book Award for Fiction.
Hailing from Long Island, Pynchon served two years in the United States Navy and earned an English degree from Cornell University. After publishing several short stories in the late 1950s and early 1960s, he began composing the novels for which he is best known: V. (1963), The Crying of Lot 49 (1966), and Gravity's Rainbow (1973). Rumors of a historical novel about Charles Mason and Jeremiah Dixon had circulated as early as the 1980s; the novel, Mason & Dixon, was published in 1997 to critical acclaim. His 2009 novel Inherent Vice was adapted into a feature film by Paul Thomas Anderson in 2014. Pynchon is notoriously reclusive from the media; few photographs of him have been published, and rumors about his location and identity have circulated since the 1960s. Pynchon's most recent novel, Bleeding Edge, was published on September 17, 2013.