Susan Vreeland Quote

The winsome lilt of Digna humming in the garden. Her knowing, almost teasing look, not quite a smile, when she knew she had the upper hand about something, and his willing acquiescence. Her coaxing in the dark next to him - What was your favorite part of the day? - to which he'd always say, because he always thought it - now, touching you. He'd feel the lump of truth form in his throat, the swell of love in his loins. And afterward, the peace of her rhythmic breathing, steady as a Frisian clock, her simple uncomposed lullaby. Those are things he would, in some final, stretched-out moment, relive. How love builds itself unconsciously, he thought, out of the momentous ordinary.

Susan Vreeland

The winsome lilt of Digna humming in the garden. Her knowing, almost teasing look, not quite a smile, when she knew she had the upper hand about something, and his willing acquiescence. Her coaxing in the dark next to him - What was your favorite part of the day? - to which he'd always say, because he always thought it - now, touching you. He'd feel the lump of truth form in his throat, the swell of love in his loins. And afterward, the peace of her rhythmic breathing, steady as a Frisian clock, her simple uncomposed lullaby. Those are things he would, in some final, stretched-out moment, relive. How love builds itself unconsciously, he thought, out of the momentous ordinary.

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About Susan Vreeland

Susan Joyce Vreeland (January 20, 1946 – August 23, 2017) was an American author. Several of her books deal with the relationship between art and fiction. The Passion of Artemisia is a fictionalised investigation of some aspects of the life of Artemisia Gentileschi, while The Girl in Hyacinth Blue centres round an imaginary painting by Vermeer. The Forest Lover is a fictionalized account of the life of the Canadian painter Emily Carr.