Steven Soderbergh Quote
The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
Steven Soderbergh
The ought to be a worldwide cultural taskforce that just stops you when you have ideas like combining The Red Desert with an armored car heist movie.
Tags:
car
Related Quotes
Your driver is on the steer, driving you and you can feel free to doze in the car; this is trust built on competence. Competence is to ensure that your actions put people's hearts at ease when things...
Israelmore Ayivor
Tags:
at ease, best, car, competence, competency, competent, competent actions, competent hands, doze, drive
Most police cars are the equivalent of an electrical room on wheels and it does not surprise me that police officers that spend time in such a biologically toxic environment are displaying aggression.
Steven Magee
Tags:
aggression, biologically, car, cars, display, displaying, displays, electrical, environment, environmental
When the fuel is dried up in a vehicle, it stops driving automatically. You are a vehicle in the spiritual and the physical world, so you need some oil for alacrity, in order to get to your destinatio...
Michael Bassey Johnson
Tags:
ability, achievement, alacrity, car, competition, conquer, conquering, destination, destiny, distance
About Steven Soderbergh
Soderbergh's directorial breakthrough, the indie drama Sex, Lies, and Videotape (1989), lifted him into the public spotlight as a notable presence in the film industry. At 26, Soderbergh became the youngest solo director to win the Palme d'Or at the Cannes Film Festival, and the film garnered worldwide commercial success, as well as numerous accolades. His next five films, including the critically lauded King of the Hill (1993), found limited commercial success. He pivoted into more mainstream fare with the crime comedy Out of Sight (1998), the biopic Erin Brockovich (2000) and the crime drama Traffic (2000), for which he won the Academy Award for Best Director.
Soderbergh found further popular and critical success with the Ocean's trilogy and film franchise (2001–18), Che (2008), The Informant! (2009), Contagion (2011), Haywire (2011), the Magic Mike trilogy (2012–2023), Side Effects (2013), Behind the Candelabra (2013), Logan Lucky (2017), Unsane (2018), Let Them All Talk (2020), No Sudden Move (2021), Kimi (2022), Presence (2024), and Black Bag (2025). His film career spans a multitude of genres but his specialties are psychological, crime, and heist films. His films have grossed over US$2.2 billion worldwide and garnered fourteen Academy Award nominations, winning five.
Soderbergh's films often revolve around familiar concepts which are regularly used for big-budget Hollywood movies, but he routinely employs an avant-garde arthouse approach. They center on themes of shifting personal identities, vengeance, sexuality, morality, and the human condition. His feature films are often distinctive in the realm of cinematography as a result of his having been influenced by avant-garde cinema, coupled with his use of unconventional film and camera formats. Many of Soderbergh's films are anchored by multi-dimensional storylines with plot twists, nonlinear storytelling, experimental sequencing, suspenseful soundscapes, and third-person vantage points.