Saul Bellow Quote
There is today an extraordinary interest with the data of modern experience per se. Our absorption in our contemporary historical state is very high right now. It's not altogether unlike a similar situation in seventeenth century Holland where wealthy merchants wanted their portraits done with all their blemishes included. It is the height of egotism in a sense to think even one's blemishes are of significance. So today Americans seem to want their writers to reveal all their weaknesses their meannesses to celebrate their very confusions. And they want it in the most direct possible way - they want it served up neat as it were without the filtering and generalizing power of fiction.
There is today an extraordinary interest with the data of modern experience per se. Our absorption in our contemporary historical state is very high right now. It's not altogether unlike a similar situation in seventeenth century Holland where wealthy merchants wanted their portraits done with all their blemishes included. It is the height of egotism in a sense to think even one's blemishes are of significance. So today Americans seem to want their writers to reveal all their weaknesses their meannesses to celebrate their very confusions. And they want it in the most direct possible way - they want it served up neat as it were without the filtering and generalizing power of fiction.
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About Saul Bellow
In the words of the Swedish Nobel Committee, his writing exhibited "the mixture of rich picaresque novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age." His best-known works include The Adventures of Augie March, Henderson the Rain King, Herzog, Mr. Sammler's Planet, Seize the Day, Humboldt's Gift, and Ravelstein.
Bellow said that of all his characters, Eugene Henderson, of Henderson the Rain King, was the one most like himself. Bellow grew up as an immigrant from Quebec. As Christopher Hitchens describes it, Bellow's fiction and principal characters reflect his own yearning for transcendence, a battle "to overcome not just ghetto conditions but also ghetto psychoses." Bellow's protagonists wrestle with what Albert Corde, the dean in The Dean's December, called "the big-scale insanities of the 20th century." This transcendence of the "unutterably dismal" (a phrase from Dangling Man) is achieved, if it can be achieved at all, through a "ferocious assimilation of learning" (Hitchens) and an emphasis on nobility.