Sam Shepard Quote

Weston: Look at my outlook. You don't envy it, right?Wesley: No.Weston: That's because it's full of poison. Infected. And you recognize poison, right? You recognize it when you see it?Wesley: Yes.Weston: Yes, you do. I can see that you do. My poison scares you.Wesley: Doesn't scare me.Weston: No?Wesley: No.Weston: Good. You're growing up. I never saw my old man's poison until I was much older than you. Much older. And then you know how I recognized it?Wesley: How?Weston: Because I saw myself infected with it. That's how. I saw me carrying it around. His poison in my body.

Sam Shepard

Weston: Look at my outlook. You don't envy it, right?Wesley: No.Weston: That's because it's full of poison. Infected. And you recognize poison, right? You recognize it when you see it?Wesley: Yes.Weston: Yes, you do. I can see that you do. My poison scares you.Wesley: Doesn't scare me.Weston: No?Wesley: No.Weston: Good. You're growing up. I never saw my old man's poison until I was much older than you. Much older. And then you know how I recognized it?Wesley: How?Weston: Because I saw myself infected with it. That's how. I saw me carrying it around. His poison in my body.

Tags: darkness, fathers

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About Sam Shepard

Samuel Shepard Rogers III (November 5, 1943 – July 27, 2017) was an American actor, playwright, author, director and screenwriter whose career spanned half a century. He won 10 Obie Awards for writing and directing, the most by any writer or director. He wrote 58 plays as well as several books of short stories, essays, and memoirs. Shepard received the Pulitzer Prize for Drama in 1979 for his play Buried Child and was nominated for an Academy Award for Best Supporting Actor for his portrayal of pilot Chuck Yeager in the 1983 film The Right Stuff. He received the PEN/Laura Pels Theater Award as a master American dramatist in 2009. New York magazine described Shepard as "the greatest American playwright of his generation."
Shepard's plays are known for their bleak, poetic, surrealist elements, black comedy, and rootless characters living on the outskirts of American society. His style evolved from the absurdism of his early off-off-Broadway work to the realism of later plays like Buried Child and Curse of the Starving Class.