Ruth Ozeki Quote
I write this in the moonlight, straining my ears to hear beyond the cold mechanical clock to the warm biological noises of the night, but my being is attuned only to one thing, the relentless rhythm of time.If I could only smash the clock and stop time from advancing! Crush the infernal machine! Shatter its bland face and rip those cursed hands from their torturous axis of circumscription! I can almost feel the sturdy metal body crumpling beneath my hands, the glass fracturing, the case cracking open, my fingers digging into the guts, spilling springs and delicate gearing. But now, there is now use, now way of stopping time.
Ruth Ozeki
I write this in the moonlight, straining my ears to hear beyond the cold mechanical clock to the warm biological noises of the night, but my being is attuned only to one thing, the relentless rhythm of time.If I could only smash the clock and stop time from advancing! Crush the infernal machine! Shatter its bland face and rip those cursed hands from their torturous axis of circumscription! I can almost feel the sturdy metal body crumpling beneath my hands, the glass fracturing, the case cracking open, my fingers digging into the guts, spilling springs and delicate gearing. But now, there is now use, now way of stopping time.
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About Ruth Ozeki
Ruth Ozeki (born March 12, 1956) is an American-Canadian author, filmmaker and Zen Buddhist priest. Her books and films, including the novels My Year of Meats (1998), All Over Creation (2003), A Tale for the Time Being (2013), and The Book of Form and Emptiness (2021), seek to integrate personal narrative and social issues, and deal with themes relating to science, technology, environmental politics, race, religion, war and global popular culture. Her novels have been translated into more than thirty languages. She teaches creative writing at Smith College, where she is the Grace Jarcho Ross 1933 Professor of Humanities in the Department of English Language and Literature.