Roger Scruton Quote

Looks are voluntary. But the full revelation of the subject in the face is not, as a rule, voluntary. Smiles are usually involuntary, and gift smiles, as one might call them, always so. Likewise laughter, to be genuine, must be involuntary—even though laughter is something of which only creatures with intentions, reason, and self-consciousness are capable. The important point is that, while smiling and laughing are movements of the mouth, the whole face is infused by them, so that the subject is revealed in them as overcome. Laughing and smiling can also be willed, and when they are willed, they have a ghoulish, threatening quality, as when someone laughs cynically, or hides behind a smile. Voluntary laughter is a kind of spiritual armor, with which a person defends himself against a treacherous world by betraying it. Blushes are more like tears than like laughter in that they cannot be intended. Only a rational being can blush, even though nobody can blush voluntarily. Even if, by some trick, you are able to make the blood flow into the surface of your cheeks, this would not be blushing but a kind of deception. And it is the involuntary character of the blush that conveys its meaning, which resides in the fact that it is the other who summons it. Looks directed to the looks of another have an interrogatory aboutness, so to speak. The person who looks at his companion is also aware that he is on the verge of looking into him. There is an element of overreaching here, which is inherited from the I-You encounter, and which changes the appearance of the human look in the eyes of the person looked at. Blushing is a natural response to this, a recognition that the glance that originated at the horizon where you are has touched the horizon in me.

Roger Scruton

Looks are voluntary. But the full revelation of the subject in the face is not, as a rule, voluntary. Smiles are usually involuntary, and gift smiles, as one might call them, always so. Likewise laughter, to be genuine, must be involuntary—even though laughter is something of which only creatures with intentions, reason, and self-consciousness are capable. The important point is that, while smiling and laughing are movements of the mouth, the whole face is infused by them, so that the subject is revealed in them as overcome. Laughing and smiling can also be willed, and when they are willed, they have a ghoulish, threatening quality, as when someone laughs cynically, or hides behind a smile. Voluntary laughter is a kind of spiritual armor, with which a person defends himself against a treacherous world by betraying it. Blushes are more like tears than like laughter in that they cannot be intended. Only a rational being can blush, even though nobody can blush voluntarily. Even if, by some trick, you are able to make the blood flow into the surface of your cheeks, this would not be blushing but a kind of deception. And it is the involuntary character of the blush that conveys its meaning, which resides in the fact that it is the other who summons it. Looks directed to the looks of another have an interrogatory aboutness, so to speak. The person who looks at his companion is also aware that he is on the verge of looking into him. There is an element of overreaching here, which is inherited from the I-You encounter, and which changes the appearance of the human look in the eyes of the person looked at. Blushing is a natural response to this, a recognition that the glance that originated at the horizon where you are has touched the horizon in me.

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About Roger Scruton

Sir Roger Vernon Scruton, (; 27 February 1944 – 12 January 2020) was an English philosopher, writer, and social critic who specialised in aesthetics and political philosophy, particularly in the furtherance of conservative views. The founding-editor of The Salisbury Review, a conservative political journal, Scruton wrote over 50 books on architecture, art, philosophy, politics, religion, among other topics. Scruton was also Chairman of the Building Better, Building Beautiful Commission for the United Kingdom's government, from 2019 to 2020. His views on classical architecture and beauty are still promoted via his foundation; while his political stances remain influential.
His publications include The Meaning of Conservatism (1980), Sexual Desire (1986), The Aesthetics of Music (1997), and How to Be a Conservative (2014). He was a regular contributor to the popular media, including The Times, The Spectator, and the New Statesman. Scruton explained that he embraced conservatism after witnessing the May 1968 student protests in France. From 1971 to 1992 he was lecturer, reader, and then Professor of Aesthetics at Birkbeck College, London, after which he was Professor of Philosophy at Boston University, from 1992 to 1995. From then on, he worked as a freelance writer and scholar, though he later held several part-time or temporary academic positions, including in the United States. In the 1980s he helped to establish underground academic networks in Soviet-controlled Eastern Europe, for which he was awarded the Czech Republic's Medal of Merit (First Class) by President Václav Havel in 1998. Scruton was knighted in the 2016 Birthday Honours for "services to philosophy, teaching and public education".