Robert Zemeckis Quote
We are ultimately alone in that we are ultimately responsible for ourselves.
I have to be alone very often. I'd be quite happy if I spent from Saturday night until Monday morning alone in my apartment. That's how I refuel.
Tipani flower skies blazing rapture of color laced tree crowns silhouettes along the ocean diamond necklaced beach...of my heart in fragrance of love spilled by caressing kisses of the sun opening the...
For beautiful eyes, look for the good in others for beautiful lips, speak only words of kindness and for poise, walk with the knowledge that you are never alone.
I used to wonder if it was God's plan that I should be alone for so much of my life. But I found peace. I found happiness within people and the world.
Lana Del Rey
Just as a cautious businessman avoids investing all his capital in one concern, so wisdom would probably admonish us also not to anticipate all our happiness from one quarter alone.
Man does not live by soap alone and hygiene, or even health, is not much good unless you can take a healthy view of it or, better still, feel a healthy indifference to it.
Gilbert K. Chesterton
Eagle's flight of loneliness soars so high Around its sigh, no more alone the sky Other birds remain away, clouds pass byBetween shrouds of life and haze sun rays die
About Robert Zemeckis
Zemeckis is regarded as an innovator in visual effects. His exploration of state-of-the-art special effects includes the early use of computer graphics inserted into live-action footage in Back to the Future Part II (1989) and Forrest Gump, the insertion of hand-drawn animation into live-action footage in Who Framed Roger Rabbit, and the pioneering performance capture techniques seen in The Polar Express (2004), Monster House (2006), Beowulf (2007), A Christmas Carol (2009), and Welcome to Marwen (2018). He is also known for his collaboration with composer Alan Silvestri, with whom he has worked on many of his films. Though interest in Zemeckis has at times been solely limited to his work with special effects, his work has been praised by several film critics, including David Thomson, who wrote that "no other contemporary director has used special effects to more dramatic and narrative purpose."